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And what he writes about is an extraordinary concept really: it's something called "the nobility of the poem".
他所写的是一个绝妙的理念,叫做，诗歌的高贵。
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So he signs the letter and then he writes underneath it, "The Gestapo has not harmed me in any way.
他签署了文件，并在下面写到，“盖世太保从不曾伤害我。
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Now it's still going to be another twenty-five years before Milton writes the great epic, but Milton will no longer express the same degree of anxiety about under-preparation to write the great epic.
距他成为真正的史诗诗人,还有25年，但是弥尔顿不会再轻易表现出,关于创作史诗毫无准备的同等的焦虑了。
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It is evident Aristotle writes that as it becomes increasingly one as it becomes increasingly unified--the city -it will no longer be a city.
亚里士多德写到,事实是，当城市愈趋近于一体,愈结合在一起,它便不再是一座城。
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And he says on page 884: A poet writes always of his personal life, in his finest work out of its tragedies, whatever it be, ; remorse, lost love or mere loneliness; he never speaks directly as to someone at the breakfast table there is always a phantasmagoria.
84页他说道：,诗人总写自己的生活，最好的作品总是悲剧，不管是后悔，失恋或孤独;,这是他不会在餐桌上讲的,总是有这样一种幻境。
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It is kind of haunting when you think it's only 1831 when he writes this, and that Civil War is still 30 years away: "Slavery brutalizes the black population and debilitates the white.
这段话在人们脑海中挥之不去,因为他写下这段话时才1831年,离开内战爆发还有30年时间,"奴隶制残害了黑人,也削弱了白人
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Do you think I should neck or not? I shall not enter the kingdom of heaven anyway so I don't see what difference it makes.'" And then she writes back, Mary Brittle: "Dear Sabbath: Light necking is acceptable, but I think your real problem is one of adjustment to the modern world.
你认为我是该做还是不该做，我反正都上不了天堂了,因此，我认为做不做都无所谓，之后她给她回信了，玛丽-巴瑞特，亲爱的萨巴斯，你的做法是可接受的，但我认为,你真正的问题是无法融入现代社会。
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They just throw it out. They know what they mean I think I understand, but they don't do anything with it Whereas Cocteau, writes dozes, maybe in total, a couple of a hundred pages along those lines.
他们只是提出观点，心里很清楚自己想说什么,而我想我也懂他们的想法，只是他们没有用这些想法进行研究,而科克托一共写了十二篇文章，用了几百页来说这个话题。
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How can Milton know that he was really and truly called by God to be a great poet until he writes something - it's not a bad question - until he has something actually to show for his talent?
弥尔顿怎么知道他是不是真的被,上帝选中了去做一个伟大的诗人,除非他真的创作出点儿什么--这是一个不坏的问题,-直到他真有可以证明自己才能的作品？
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It's in recognition of what we can think of as this time- honored historical irony that Milton writes such a memorable line, a wonderful line, in his sonnet on the new Presbyterian regime.
这刚好跟我们这次所想的相应-,这个令人尊敬的历史性讽刺，弥尔顿写得如此有纪念意义，如此绝妙，在十四行诗里，他所写的新长老派的政体。
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It's reasonable, I think, to invoke Dr. Johnson here, Samuel Johnson, who writes in his Life of Milton that Milton's unskillful allegory appears to be one of the greatest faults of the poem.
我认为在这引用塞缪尔·约翰逊的话是很合理的，他一生都在写关于弥尔顿的文章,他指出弥尔顿不熟练的寓言成为了这部诗的大败笔之一。
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It's poetic and lyrical and if William James characteristically writes that way.
充满了诗意和感情,如果这是威廉，詹姆斯的写作特征。
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He says it's a short book and "I think clear" he writes.
霍布斯说那是本简短,并且清晰易懂的书。
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As he puts it in the dedication of his most famous book, he writes that this book The Prince "is a product of long experience with modern things " and a continuous reading of the ancient ones."
从而催生出,他最呕心沥血的大作，他笔下的《君王论》,“是一部,对现代事物长久体验,与持续阅读古籍的结晶“
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It's 1637, later that same year, that Milton writes Lycidas.
也是在1637年，晚些时候，弥尔顿写了《利西达斯》
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Antiquity or tradition alone is no justification yet at the same time he seems to recognize that changes in law even when the result : is improvement are dangerous. He writes "It is a bad thing to habituate people to reckless dissolution of laws.
作为借口，但同时,他似乎也体认到法律修改,就算结果是改善,仍是很危险的作法，他写到,“让人民习惯于鲁莽的法律,崩溃是不好的事。
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James Henry Hammond starts writing in the forties and into the fifties and he takes it much further, and he writes over and over and over again that, said James Henry Hammond, is that too damn many northerners didn't understand it is the way of the world as it is, and they ought to stop talking about the world as it ought to be.
詹姆斯.亨利.哈蒙德不惑之年才开始写作,到了五十岁仍笔耕不辍,他不停地写作,不停地著书,詹姆斯·亨利·哈蒙德说道,大多数北方人不能明白,这就是世界的本原,他们应该停止有关世界本源的讨论
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Aristotle writes in Book II of the Politics that the world is eternal and everything in it has been discovered.
亚里士多德在《政治学》第，II，册中提到,世界无穷止境,其中所有事物都已创建。
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