• Professor Weinberger would like more people to send in their own samples of the sixty-nine-word paragraph.

    VOA: special.2011.08.04

  • In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.

    在诗的第二段,弥尔顿对他父亲说:,不要轻视神圣的诗歌,诗人预示性的创作。

    耶鲁公开课 - 弥尔顿课程节选

  • In the simplest possible terms, you could say that Milton's sentence, Milton's argument here in this paragraph, has gotten away from him.

    用最简单最有可能的话说,你可能会说弥尔顿这段的句子和论点,不是他的本意。

    耶鲁公开课 - 弥尔顿课程节选

  • He goes on in this vein for that whole paragraph if you just skim down.

    如果跳过下面这些行读下去会看到他还在延续了这一脉络。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now this is what Derrida is deliberately struggling with in this first paragraph: an "event" , if this loaded word did not entail a meaning thought to reduce or to suspect.

    这就是德里达,在第一段着力解决的问题:,一个事件,加引号的,…,如果这个词的意思没有,减少或怀疑的意图。

    耶鲁公开课 - 文学理论导论课程节选

  • He responds in the second paragraph of the letter in the left-hand column of the packet to this criticism that he's doing so little.

    他在信左手边的第二段,对他做的如此至少的批评作出了回应。

    耶鲁公开课 - 弥尔顿课程节选

  • This is the line that begins the poem's final verse paragraph and it has to be one of the most amazing moments in all of English literature.

    这行是以诗篇最后的韵诗开端的,是英语诗歌文学中,最惊艳的段落之一了。

    耶鲁公开课 - 弥尔顿课程节选

  • As in Sonnet Seven, Milton writes the first verse paragraph of this great poem, Lycidas -- the first fourteen lines - in essentially the form of a sonnet.

    如同《十四行诗第七首》,弥尔顿写《利西达斯》,这首伟大的诗的开头--头14行时,-用的还是十四行诗的形式。

    耶鲁公开课 - 弥尔顿课程节选

  • And look a little further down in the same paragraph.

    接着,在同一段往后看。

    耶鲁公开课 - 弥尔顿课程节选

  • I don't know who came up with this statistic but I love it: nearly three out of every five lines in Paradise Lost are enjambed - they embrace the practice of enjambment. The meaning or the sense of a verse paragraph is diffused throughout a series of lines.

    不知道是谁得出这个数字,但我很喜欢:,《失乐园》中将近五分之三的诗句是连结的,-它们全都连结在一起,一段诗的意思或感觉,贯穿在这段诗的一系列诗句当中。

    耶鲁公开课 - 弥尔顿课程节选

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