The popular, old-fashioned Frost and the elite, modern Frost--these roles point to a division in the audiences for poetry that emerges clearly in this period.
这个大受欢迎,旧式的弗罗斯特和那个高雅的,现代的弗罗斯特,这些角色指出了观众的分化,因为诗歌在这个阶段表现的是那个。
And yet, it's also important for reading Pound and for reading Eliot and for reading Moore, who sound the way they do partly because they make a point of not writing pentameter, the meter that Frost often, but not always, chooses.
也对于阅读庞德和,艾略特,莫尔的诗歌很重要,他们听起来是做到了一部分,因为它们提议不要写五音部格诗,这种形式弗罗斯特很常用,但不是总用到。
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