• And under this title, "On the Morning of Christ's Nativity," appears as you can see from your text -- appears the subtitle, "composed 1629."

    你们可以看到在《圣诞清晨歌》,的标题下有个副标题“作于1629“

    耶鲁公开课 - 弥尔顿课程节选

  • How do we put ourselves in touch with the text which may after all in a variety of ways be remote from us?

    文本在各种方面距离我们如此遥远,如何与之发生联系?

    耶鲁公开课 - 文学理论导论课程节选

  • It's just a long, long text that's set to music but that text is drawn from "Apocalypse, " The images of "Apocalypse."

    它改编自一段很长的文字,但文本来自《启示录》,对《启示录》的想像

    耶鲁公开课 - 聆听音乐课程节选

  • That is the good news.The bad news is there isn't a text that fits this syllabus, so we choose readings from various sources.And the text that I have chosen is the best of a bad lot.

    那是个好消息,坏消息是,没有与课程大纲对应的课本,我们从很多的资源中选取阅读材料,我选的课本不过是糟粕中的精华。

    麻省理工公开课 - 固态化学导论课程节选

  • Who knows? Maybe we'll try on some other occasion, but for the moment I think you can see that in making remarks of this kind about a text one has shifted the attention from meaning to structure.

    我们也许会在以后讲到它,谁知道呢,但是我想你们应该已经看出来,我们的重点已经从内容,转移到了形式。

    耶鲁公开课 - 文学理论导论课程节选

  • Over the weekend, you were assigned material from chapter one of the text and it dealt really with three famous beginnings of pieces of classical music.

    上周末,布置你们阅读的内容,出自课本第一章,那些内容是关于,三首著名古典曲目的开始部分

    耶鲁公开课 - 聆听音乐课程节选

  • Nothing follows from this observation about the actual meaning of the text.

    没有关注,文本的实际含义。

    耶鲁公开课 - 文学理论导论课程节选

  • We'll say a little bit about Beyond the Pleasure Principle, ; which is the crucial text for our purposes; but plainly apart from the influence of and the ideas borrowed from Freud, you'll find Brooks writing on what for you is pretty familiar turf.

    我想花一点点时间说说《超越快乐原则》,这篇文章对于我们今天理解主题至关重要;,但是如果不看从弗洛伊德那里借来的思想和影响外,布鲁克斯所写的对于你们来说应该会很熟悉。

    耶鲁公开课 - 文学理论导论课程节选

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