• But you also have the Nook from Barnes and Noble and the e-reader from Sony.

    VOA: special.2010.12.20

  • What kind of reader are writers in this period looking for, and what do they want from that reader?

    作者在这时候要找的是怎样的读者,他们希望从读者身上获得什么?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We don't even know where it is we're supposed to be looking from, and the choice between Fesole and Valdarno that Milton gives the reader is crucial here.

    我们甚至不知道是否应该从此处着眼,而弥尔顿向读者提出的,菲索尔和瓦达诺之间的抉择,在这儿是至关重要的。

    耶鲁公开课 - 弥尔顿课程节选

  • She goes from being a reader who can listen, for example, to the ambiguities in the Wharfinger play.

    她先是一个善于聆听的读者,比如说聆听那些,Wharfinger的剧中含糊不清的地方。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • He's introducing the reader to a mode of vision different from the vision typically permitted him from within the poem's more or less straightforward, linear, narrative boundaries.

    他在向读者介绍一种不同于这首诗里,直白的线状叙述的界限,或多或少已经容许他,显露出的设想有所不同的先见之明。

    耶鲁公开课 - 弥尔顿课程节选

  • So, she's a reader who notices patterns even from a young age.

    所以,她是一个从小,就能注意到形式的读者。

    耶鲁公开课 - 1945年后的美国小说课程节选

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