• Listen to how quickly Yeats modulates from one feeling, one image, to another in these really very short, quick, three-beat lines.

    听一听叶芝是怎么快速地,从一种情绪,一个情景中,转换到另一个里去的,就在这些三音韵的短诗句中。

    耶鲁公开课 - 现代诗歌课程节选

  • You'd like your mirror image more because the mirror image is what you tend to see from day to day.

    你会更喜欢镜子中的自己,因为镜子中的你是你每天都看到的。

    耶鲁公开课 - 心理学导论课程节选

  • In a little scene from the early English history that Milton had selected from his reading, you have an image of silencing, of a horrifying and unredeemable speechlessness that is so closely connected to virginity.

    早期英国文学中的一个小场景,那是弥尔顿从他的阅读中选出的,你们,对于可怕的不可挽回的哑口无言有种寂静感,这与童贞紧密相连。

    耶鲁公开课 - 弥尔顿课程节选

  • So, if those are the distinctive characteristics that earn the human being certain rights over creation But also give them duties towards creation, And the human is distinct from animals In being created in the image of God, To be godlike is to perhaps possess some of these characteristics.

    那么,如果这些都是与众不同的特点,它们让人类有权利管理其他创造物,但是也让他们对其他创造物负有责任,人类与其他动物不同,因为他们是依照上帝的形象所创造,与上帝相像便可以获得一些这样的特点。

    耶鲁公开课 - 旧约导论课程节选

  • So Collins suggests that the poem in Exodus 15 is celebrating and preserving a historical memory of an escape from or a defeat of Pharaoh and that the drowning image is used metaphorically as it is elsewhere in Hebrew poetry to describe the Egyptians' humiliation and defeat.

    所以Collins,指出在《出埃及记》15中的诗中,是对逃脱或者打败法老统治的这一历史性时刻的庆祝,溺水这一画面被赋予象征意义,就像犹太诗中,经常出现描写埃及人被打败被侮辱的场景一样。

    耶鲁公开课 - 旧约导论课程节选

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