modernity, in Crane's strange, gorgeous poetry, is all about getting high, about elevation, exultation.

在克莱恩古怪又绝美的诗篇里，现代性就是关于不断的上升，和狂喜之情。

耶鲁公开课 - 现代诗歌课程节选

Instead, what's difficult in Crane is a kind of compression in his writing.

实际上，克莱恩的诗难读的原因,是在于他的作品中过分简要的阐述。

耶鲁公开课 - 现代诗歌课程节选

You can think about Crane's images of the Brooklyn Bridge in this course that abandoned woodpile that some worker has left in the poem called "The Woodpile."

你可以想一想,在我们课程中，克兰诗中的布鲁克林大桥,那被抛弃的木柴堆,在诗歌“柴垛“中一些工人放弃的柴垛“

耶鲁公开课 - 现代诗歌课程节选

New thresholds, new anatomies", ; well, that's not such a hard concept; that's an image of what the modern promises for Crane, and indeed those Gothic arches of the bridge seem to emblematize for him.

新的开端，新的躯体“,这并不是太难的概念;,这就是对于克莱恩而言现实希望的肖像，实际也是，布鲁克林桥上那些哥特式的拱门与他而言的象征。

耶鲁公开课 - 现代诗歌课程节选

There's the New York of Crane, of Moore, of Stevens, too.

克兰，穆尔，史蒂文斯去了纽约。

耶鲁公开课 - 现代诗歌课程节选

In Crane, in his great poem The Bridge- and here's another photo by Evans, this time of Crane on the rooftop of the apartment building in Brooklyn, 110 Columbia Heights where he lived and where he began the poem, with the bridge in the background.

在克莱恩杰出的诗篇《桥》里-,这里还有埃文斯拍的另一张照片，这次克莱恩站在他位于布鲁克林区，哥伦比亚高地,公寓楼的屋顶上,他就是在此开始创作诗篇，背后是布鲁克林大桥。

耶鲁公开课 - 现代诗歌课程节选