The decay of Christian belief and practice is not a loss but rather an opportunity for poetry, in Crane.
基督教信仰和践行的衰败,在克莱恩看来,并不是损失,反而是诗歌新生的机会。
New thresholds, new anatomies", ; well, that's not such a hard concept; that's an image of what the modern promises for Crane, and indeed those Gothic arches of the bridge seem to emblematize for him.
新的开端,新的躯体“,这并不是太难的概念;,这就是对于克莱恩而言现实希望的肖像,实际也是,布鲁克林桥上那些哥特式的拱门与他而言的象征。
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