I approach it the way a few other philosophers do in a way that is characteristic of conceptual analysis.
我研究电影的方法其他一些哲学家也在使用,这种方法,以概念分析为特点。
So there's a lot of power in this, both engagement and both allowing students to get conceptual understandings of things that are very hard to understand and they're abstract.
所以这是很强大的,不论是参与性,还是使学生能更好,理解那些,很难的概念,很抽象的概念。
So if you have more conceptual oriented questions, you can absolutely bring them to office hours, but just realize there's always a crunch time wise, especially on Wednesday's and Thursday's.
如果有很多概念方面的问题,你完全可以把它们带到办公时间来,但是请认识到,总是有零零碎碎的时间的,特别是在周三和周四。
So, that's the basic insight in Modigliani and Miller, that share repurchase and dividend are really interchangeable; it's just all a conceptual difference.
这即是莫迪利阿尼和米勒命题的内涵,股票回购和分红彼此是可替代的,只是概念上有所不同
But helping you understand things that really are a conceptual difficulty is what they're here for and what we're here for, so please come and talk to us.
不过他们在这儿,是为了帮助你们,了解概念非常复杂的问题,所以请过来请教他们。
Power is a conceptual category that Milton brooded on and cultivated his entire writing life. From a very early age, Milton nursed the image of himself as a powerful poet.
米尔顿终其写作生涯都在思考,创建,力量这一概念范畴,还在很小的时候,米尔顿就开始把自己想做是一个强有力的诗人。
There was a theoretical conceptual framework for having a king or queen having absolute powers.
这个学说是]国王和女王,拥有绝对权力的理论框架
This weird temporal disjunction is an important part of the poem, and it not only gives the poem its peculiar air of something like a conceptual time-warp, but it's an important part of Milton's profoundly anticipatory imagination.
这个古怪的暂时的脱节是诗歌中很重要的一部分,它不仅带给诗歌一种不寻常的感觉,就像概念性的时光隧道,但他确实是弥尔顿,深奥的预言性想象的重要部分。
We'll be doing this in one week, and the disjunction between the two works, this disjunction at least with respect to their treatment of the Fall, should dramatize the nature, or just the enormity, of a lot of the conceptual problems and conflicts that Milton is tackling here.
我们在一周内都会来做这个工作,将这两部著作分离开来,这种分离至少要尊重他们对秋天不同的理解,应该将自然戏剧化,还是只是极恶,弥尔顿在这里应对的很多观念上的问题和冲突。
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