It's easy for us to say that it was Milton's memory that facilitated his grasp of the Christian and the classical traditions.

我们也可以轻易地说那是弥尔顿的记忆,使他对于基督教和经典传统的理解更为容易了。

耶鲁公开课 - 弥尔顿课程节选

But this is a state, he believes, that has now been liberated or emancipated from Christian and classical conceptions of virtue.

但他相信，这个国家现在,已从基督与古代美德概念中,解放出来。

耶鲁公开课 - 政治哲学导论课程节选

with the classical conceptions of moderation, of justice, of self-control over the Christian virtues of faith, hope, and charity.

与古早的节制，正义概念不相关,也与基督信仰美德的自制无关,更别提希望与博爱。

耶鲁公开课 - 政治哲学导论课程节选

If Milton's true muse, or so he hopes or so he wants us to believe, has a Christian origin, then this counter-muse is unquestionably classical.

如果弥尔顿他望或想要我们相信，他真正的缪斯女神，有一个基督教的原型，那么这位与缪斯女神相对的人物毫无疑问是经典的。

耶鲁公开课 - 弥尔顿课程节选

And as in all of these early lyrics, Jove conventionally throughout the Renaissance is used as a name within these classical fictions to signify the Christian God.

在早期的抒情诗里，贯穿文艺复兴的始终,丘比特在传统意义上意在，在众多的古典神话中,使上帝意象化，符号化。

耶鲁公开课 - 弥尔顿课程节选