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But he did not have them published, and admitted that he did not understand her poetry.
VOA: special.2010.07.18
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The decay of Christian belief and practice is not a loss but rather an opportunity for poetry, in Crane.
基督教信仰和践行的衰败,在克莱恩看来，并不是损失，反而是诗歌新生的机会。
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But in any case, that's why Solon's pamphlets are written in poetry and apparently in really good poetry.
无论如何,这就是为何梭仑的小册子,要以诗歌的形式写出,而且显然是很好的诗歌
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For Robert Pinsky, poetry is not just an emotional experience but also a physical one.
VOA: special.2011.01.31
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It's not about marriage, and marriage will still seem quite a ways off, I fear, when you read Lycidas, but we will be marking the transition to the poetry of marriage soon enough.
那不是讲婚姻的，我担心当你们读《利西亚斯》的时候，婚姻仍是一个走出的方法，但是我们,将很快标记诗篇中关于婚姻的转变。
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Unlike her mother, Lucille Clifton's poetry was anything but traditional.
VOA: special.2010.04.18
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Poetry, you remember--this is a scientist-- is no more true than religion, but it can perform the function of religion and is therefore capable of saving us.
科学家曾说过-,诗歌并不比宗教更真实，但是诗歌具有宗教的作用,并因此可以拯救人类。
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But she says she grew up around poetry.
VOA: special.2009.04.17
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Renoir speak occasionally about the poetry of film That's very interesting, but they don't say much.
雷诺偶尔会谈论电影诗歌,这很有趣，但他们说的不多。
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But his poetry speaks of the inner self.
VOA: special.2009.04.12
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I don't know that I have an answer to this, but perhaps the Republic as a whole is itself a piece of this Socratic poetry that will substitute for the Homeric kind.
我不确定我对这有预备答案，但也许整部《理想国》,就是一部苏老式的诗学,用以取代荷马史诗。
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Her aim is to get along in a world that is dominated by shifting forces that can be registered and reacted to by poetry, but not explained.
她的目的是通过诗歌所能记录，达到却不能解释的,变幻莫测的力量,来和被统治的世界相处。
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Part of the resonance and power of that famous refrain, "a terrible beauty is born," is that this beauty is being born not only in the world but in Yeats's poetry.
部分激发联想的力量,以及那著名的叠唱的力量，一中惊人之美诞生了“,那种美,不仅诞生于现实世界,也诞生于叶芝的诗歌。
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One who concerns himself with it more than the subject is an artist. But remember we are still talking merely of the raw material of poetry.
更多的考虑形式而不是内容的是,艺术家，但是记着我们还是谈论着,诗歌的原始形式。
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But it's still a promise, and it's a promise of the powers of imagination and of poetry, and of poetry made out of play, of a child's play.
但始终还是一个希望，一个想象力和诗歌伟大力量的希望，这些诗是从玩中来的，从孩子们的玩耍中。
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I think that Milton intends for us to think of the verse in Paradise Lost as he wanted us to think of books in Areopagitica: the lines of Milton's poetry are not absolutely dead things, but they do contain within them a potency of life.
弥尔顿在《论出版自由中》让我们把书看作是肉体,我想他也想让我们这样看待《失乐园》的诗句：,弥尔顿的诗句不是毫无生气的，它们蕴含着生命的潜质。
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That's all but it's no mere figure of speech though one can make figures enough about it in his poetry very often].
他说的就是这些，不只是语言,虽然人可以说很多这样的话,经常在他的诗歌中这样。
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This way of teaching did not perhaps quite so much for a variety of reasons permeate public school literature teaching, but it was simply, as a result of Understanding Poetry, the way to go. It took time.
尽管这种教学方法可能并没有大范围被应用于,公立学校的文学专业，但是它的确符合教育的发展趋向，这也还得归功于《诗歌鉴赏》，它确实需要更多时间。
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And Milton's asking in these lines not simply about actual erotic entanglements -- although I think that's there, a relation with women -- but it's a question about erotic poetry as well.
在这几句弥尔顿问的不仅是,实际的性的缠绵--尽管我认为确实有这一方面，同女人的关系--他也是在问情诗的问题。
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This is ambition for a career, but it's also a desire for personal autonomy. For Frost, poetry is invested with a longing for autonomy in, well, both simple and complex senses.
这是事业心，也是一种,个人自由的渴望，对他来说，诗歌是,结合了自由的渴望，呈现出一种既简单又复杂的感觉。
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This is a point of view specifically associated in Yeats's late poetry particularly, but not only, old women, as he says on page 886, back in that General Introduction for My Work.
这一观点具体和叶芝晚期,的诗歌相联系,尤其但不仅仅是老女人，886页他说，在我的作品简介一书里。
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Eliot was there, in that essay on the metaphysical poets that I'm quoting from, defending as necessary what is the primary characteristic, not only of his own poetry, but really of modern poetry generally, what is often called its difficulty.
艾略特在描写那些抽象派诗人的文章里,就是我引用的那篇，极力维护,诗人的首要特征，不仅是因为他自身的诗性，更因为维护现代诗歌的必要，这是非常困难的一件事。
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I'm going to look sort of with some care at these passages - so all will become clear, but particularly in this: Sidney-- and I didn't exactly quote the passage in which Sidney does this - but I urged you to believe that he does-- Sidney actually ranks poetry somewhere between divinity and the other sciences.
我会重点讲这点,等我讲完你们就明白了-,我不读他的原句了,但我想让你们知道，西德尼的确-,将诗歌排在了,神学和其他科学之间。
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When Comus is first performed, Milton's poetry hasn't yet been printed, but it's almost as if Sabrina seems to have died printless or unpublished so that Milton wouldn't have to.
当科玛斯首先完成后，弥尔顿的诗篇还没有印刷，但是,就像Sabrina要不留痕迹的死去或出版,所以弥尔顿不会那么做。
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But, Frost stresses, poetry is not only that; it's something more.
但是弗罗斯特强调说诗歌不只是这些，它说明更多的东西。
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Yeats once said that he wanted the natural words in the natural order, but he had a very highly cultured sense of what is natural, and his poetry is full of verbal archaism.
叶芝曾说他想让自然的话语,用自然的方式呈现，但对于,自然的定义他又将其高度文化化，他的诗歌有很多口语的古语表达。
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You are really out on a limb - if you're going to defend poetry--as Richards kept doing-- as "pseudo-statement," but of course pseudo-statement" is just another expression for what he calls here "fiction."
你会陷入孤立无援的境地,如果你像，Richards一样-,说诗歌是“伪陈述“,当然，这里“伪陈述“只是,“虚构“的另一种说法“
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You remember he's written his father in "Ad Patrem" that the trade, the vocation of poetry -- it may be homely and slighted in his father's eyes, but it was of course worth all of Milton's time, all of Milton's uncessant care and investment.
他在写给父亲的Ad，Patrem中说，写诗这个职业在父亲看来或许,简单无趣，却值得弥尔顿付出所有的时间，精力，和投资。
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