People did not object to making young children work long hours, in places that had bad air and bad light.
VOA: special.2010.08.01
One way to put it, especially in nineteenth-century realism which particularly interests Brooks, is all these characters are just madly making bad object choices.
一种解释的方式,用19世纪现实主义的观点来看,也就是布鲁克斯感兴趣的观点来看,就是小说中的人物在疯狂地做着错误的决定。
So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.
于是剧情精妙的发展,就变成做出错误选择然后克服困难了:,简洁,繁琐,选择其实就是诱惑。
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