It's partly made up and partly real. It was Eva Love.
VOA: special.2009.09.20
This is my friend, long-time colleague, music librarian extraordinaire and professional French horn player, Eva Heater, who will demonstrate here-- Come on over here right in the center.
这位是我的朋友,长期共事的同事,音乐图书管理员,了不起的专业法国圆号手,伊娃·夕瑟,她将在此演奏,过来,站到中间来
Yeats's elegy here recalls her youth and that of her sister, both friends of the younger Yeats: Eva Gore-Booth a youth spent in the Sligo mansion, Lissadell, where Yeats visited in 1894.
叶芝的挽歌回忆她的少年,还有她妹妹,伊娃戈尔。布斯,她们都是叶芝少时朋友,这一年少时期是指1894年叶芝,在里萨德尔的斯莱格庄园。
So it's a whole series-- when we listen to a single tone it's a whole series, and what Eva was doing there is playing out the notes in that series successively, and we'll keep banging on that.
它们是一系列的声音,我们听单频音,其实听到的是整个系列,伊娃刚才所做的就是,一个接一个奏响那个系列中的音符,关于这部分,我们会继续探讨
Okay. Now Eva has another gig out in Gilford this morning so she's going to run off, and I'm going to show you, maybe, if we can get our slides up, this overtone series stuff.
伊娃今早在吉尔福特还有其他表演,所以她得告辞了,现在,要是我的幻灯片能用的话,我要用幻灯片为你们演示,这些有泛音列的乐器
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