David Teie is a cellist in the National Symphony in Washington,D.C.

VOA: special.2009.09.29

Okay. If you go to hear a symphony of mid-Beethoven, on-- each movement will probably last fifteen minutes.

好，如果你去听一部贝多芬中期的交响乐，每一乐章大概15分钟左右。

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Now we'll play a passage of Mozart-- a symphony by Mozart here that he wrote at the ripe old age of nine years.

现在我们要放的这个片段来自莫扎特-,这首交响曲是莫扎特在九岁那年写的。

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"But that happens. That's part of the deal." Arthur Fiedler was a 35-year-old viola player in the Boston Symphony when he was hired to conduct the Pops in 1930.

VOA: standard.2010.07.28

Halls, they try to design halls such that that doesn't happen, and I show an example of a concert hall here -- this is Symphony Hall in Boston, and I can pretty much guarantee you if you do go to this Symphony Hall, you will not experience a bad seat or a dead seat.

大厅，他们建大厅的时候,尽量要避免这种事,我这里给你们展示一个,音乐厅的例子-这是波士顿,的交响乐厅，我可以向,你们保证如果你去那里的话。

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Well, a movement is simply an independent piece, that works oftentimes-- if there arre multiple movements in a symphony or concerto-- works with other movements.

简单来说,乐章就是些各自独立的篇章,在一首交响曲或协奏曲内,和其他的乐章和谐统一

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Obviously, it's a religious service as well, but it's a genre of music like the symphony or the concerto.

当然,它是一种宗教仪式,但和交响乐或协奏曲一样,也是音乐体裁

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So that was Beethoven's Fifth Symphony, the beginning of it, a famous passage in the history of classical music.

这是贝多芬的第五交响曲,开始的一段,在古典音乐史上非常有名一段

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Here's a good example of a minor from the second movement of Beethoven's Third Symphony.

这有一个小调的好例子,来自贝多芬第三交响乐的第二乐章

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Can anybody tell me why to a person in this room we all responded positively to the Ninth Symphony and somewhat more anxiously to the Fifth Symphony?

谁能说说为什么在这间教室里,每个人对第九交响曲的反应是积极的,而大多数对于第五交响曲是消极的呢

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And indeed, he wrote something called a Battle Symphony, and you can just see him, how he's kind of marshalling particular forces to do particular things at particular times.

事实上,他写了一部《战争交响曲》,大家可以清楚地看到,他怎样集结一个个力量,运筹帷幄

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So I'm spending a little extra time on the Pastoral Symphony here.

所以我准备多花一点时间来说说田园交响曲。

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Well, it's a symphony.

是交响乐

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Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.

音乐的音高一般会围绕着主音高浮动,在贝多芬的第五交响乐中　,我们还没发现这个主音高

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Now let's contrast that with what happens in the second movement of Beethoven's Fifth Symphony where we have a lyrical, long, flowing theme. Okay?

现在我们拿它来对比下,贝多芬第五交响曲的第二乐章,这部分有长时间抒情的流畅主题,开始

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Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.

让我们现在来听一点贝多芬，他的第六交响曲，田园交响曲。

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Whereas the--if I take the rhythm out of the Ninth Symphony really Beethoven there is just going up and down a scale so it's very conjunct.

无论哪里,如果我将第九交响曲的,节奏单挑出来,你就会发现贝多芬这里,仅仅是一个个升或降的音阶,这是级进的典型例子

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Let's see how these play out by means of a quick review of Beethoven's Fifth Symphony so all we're going to do here is going to go from the beginning of the track for the first movement to the second movement and so on, and well, let's just start here.

让我们通过迅速回顾贝多芬的第五交响曲,看乐章是如何表现的,我们现在要从,乐曲的第一乐章开头开始,听到第二乐章,以此类推,好,让我们从这开始

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All right. So those of you that are raising your hand, and some aren't raising their hands but that's okay, those of you almost unanimously say that the Beethoven Fifth Symphony sounds somewhat ominous to us, somewhat fateful to us, and the Beethoven Ninth Symphony conversely has a different sort of feel to it.

你们其中的有些人举起了手,其他的没有举,其实都很好,你们当中的几乎一致认定,贝多芬第五交响乐,听起来是对宿命的激烈的抗争,然而贝多芬第九交响曲相反的,采用了另外的一种不同的方式

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Here's a famous example from Mozart's G Minor Symphony.

一个著名的例子就是莫扎特的G小调交响曲。

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