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For example,a poem called "The Death of the Hired Man" begins: Mary sat musing on the lamp-flame at the table, Waiting for Warren.
VOA: special.2011.04.17
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And the poem goes on, and this is the tone of a poem. It's a poem of crisis, a poem of a kind of hollow speaker, someone who emerges as, more or less, buried alive. And this is supposed to reflect both personal crisis and a historical crisis.
然后这首诗继续娓娓道来，这就是诗歌的韵律,这是首关于危机的诗，关于一个有点言之无物的叙述者,最后活活烧死的诗，这恰好反映了,个人和历史的危机。
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Maybe he thought of that because it's really a poem seems to be a poem of advice for young people because it ends up the last line is ? do you know the last line?
也许他是因为它真的是一首诗歌才想起它,似乎是一首对年轻人忠告的诗歌,因为它以最后一句结尾,你们知道最后一句是什么吗？
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In the beginning of his book there is a poem by Scottish writer Rubber Lewis Stevenson.
VOA: special.2010.01.30
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I realize that I'm out of time, and so I'll begin the next lecture by talking about a poem of Yeats called "Lapis Lazuli" written in 1935, in which he talks about the way in which people who build up things that have been destroyed are always "gay."
好像时间差不多了，那么下节课一开始，我们就来,一起讨论叶芝的一首诗，名为《青金石》写于1935年，在这首诗中，叶芝写了那些重建家园,的人们，他们一直很快乐“
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The Favorite Poem Project produced two books of poems, as well as a DVD.
VOA: special.2010.04.05
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In this sense, "The Fisherman" is not, after all, a poem that's very different from "The Song of the Wandering Aengus."
从这个角度看，渔夫一诗，和流浪者安古斯之歌,区别并不是很大“
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(Poem) I search the chemistry of specific emotions, a combination of earth and air that evokes the vital detail, the phrase that heats the frying pan, the look that smiles, offering signals that localize, where I am, and clarify what I see.
VOA: special.2009.04.27
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Milton's not making just any idle suggestion that he will write a poem that future generations will find themselves incapable of forgetting.
弥尔顿不是仅仅在做一个无用的提议,他将写首后人无法忘却的诗。
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He hears a noise at the window. Here is the beginning of the poem: Once upon a midnight dreary, while I pondered,weak and weary,Over many a quaint and curious volume of forgotten lore -- While I nodded,nearly napping, suddenly there came a tapping, As of some one gently rapping -- rapping at my chamber door.
VOA: special.2010.10.31
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This doesn't look forward to Humbert's poem; it already is a poem and it is a poem to the crazed, aroused mind of Humbert.
不期待亨伯特自己的诗，它已经是一首,让其疯狂，引其深思的诗。
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But, I also read a poem, and this is kind of a signature-- not my signature, but the kind of course it is.
不过我还读了一首诗,算是一种签名,不是我的签名,是这种课程的
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There's a way in which the context of the war, too, shadows the poem and remains present in it.
在战争的背景下，也投影于诗中同时也保持了它的现实性。
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Yeats develops this idea or develops another version of it in a somewhat earlier poem that's interesting in relation to this one.
叶芝进一步发展了这一想法,并在早期的一首诗里,写了另一个版本,那首与这首的关系很有趣。
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It's too late for this to be a political poem, but Paradise Lost is late for all sorts of reasons.
要写一首政治诗歌太晚了，但弥尔顿这么晚才写《失乐园》有多方面的原因。
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It's always worth asking yourself what a line of poetry that is as aggressively unpleasant as this one is doing in a poem.
你需要不断的问自己，一句让人感到被侵犯，不悦的诗,正如这里的这句，到底想要表达什么。
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I'd like to look with you at "The Song of the Wandering Aengus" as a kind of model of the kind of poem I'm talking about and its aesthetics.
我想让你们读读,流浪者安古斯之歌“,最为我正在谈论的诗歌,和其美学的代表来读。
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Sort of as a reflection on these same ideas, you get the famous poem of Wallace Stevens.
作为对这些相同观点的反思，我们来看一首来自华莱士？史蒂文斯的非常有名的诗。
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The poem makes us see the political as a space of passion and of contradictions, like art.
此诗让我们看到,政治，充满激情,充满矛盾，就像艺术一样。
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We've looked at Milton's earliest poem, or what Milton wants us to think of as his earliest poem, from a couple of different perspectives.
我们已经看了弥尔顿最早期的诗歌，或者说弥尔顿希望我们认为是他最早的诗，从一些不同的角度。
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This is a poem written in the depth of the Depression and also at the height of Frost's fame.
这是一首写在经济危机时候的诗,也是在弗罗斯特最有名的时候。
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But I think Milton would probably feel a little uncomfortable with our easy attribution of so much of the poem's learning to his memory.
但我想弥尔顿可能会感到小小的不悦,因为我们把他的诗中丰富知识,简单地归功于他的记忆。
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This is the poem in which the speaker grieves over a death by imagining a procession of mourners at the funeral.
在《牧歌》第十首中，讲述者想象葬礼上,的一行送葬者，来哀悼一个死者。
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As in Sonnet Seven, Milton writes the first verse paragraph of this great poem, Lycidas -- the first fourteen lines - in essentially the form of a sonnet.
如同《十四行诗第七首》，弥尔顿写《利西达斯》,这首伟大的诗的开头--头14行时,-用的还是十四行诗的形式。
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It's a poem deeply invested in the tradition of pastoral poetry, pastoral poetry from Theocritus and Virgil onward.
这是一首深深植根于从忒俄克里托斯和维吉尔时代，不断发展而来的田园诗的传统中的诗。
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A lot of the rigid moral distinctions that the poem has actually been working rather hard to establish are beginning to blur.
很多在诗中严格意义上的道德上的区别已经,变得日趋模糊。
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Like that phrase, "a terrible beauty," the poem is full of contradictions, of contradictory feelings.
就如诗句，可怕的美，惊人之美“,此诗充满矛盾，和情感的冲突。
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And there's a self-consciousness about the temporal strangeness of this poem that leads, I think, to its crisis moment. Look at stanza sixteen.
他自己也意识到,诗歌暂时性的古怪会导致，危机的到来，看第六段。
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It's a poem structured around the interaction between human beings and an entire pantheon of pagan deities.
是由人类相互影响,和所有无宗教信仰的万神殿来组织语言的。
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We, of course, know as we read the prelude to this poem that this is a work consumed with questions of temporal disjunction, with that problem of temporal discontinuity.
当然我们理解这首诗的序曲,这首诗里有许多暂时脱节，还有暂时的不连续的问题。
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