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Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.
音乐的音高一般会围绕着主音高浮动,在贝多芬的第五交响乐中 ,我们还没发现这个主音高
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So that was Beethoven's Fifth Symphony, the beginning of it, a famous passage in the history of classical music.
这是贝多芬的第五交响曲,开始的一段,在古典音乐史上非常有名一段
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Genre" Is simply a fancy word for "Type" Or "Kind" so what genre of piece is this by Beethoven?
风格,只是某种比种类或类别,更花哨的说法,那这首贝多芬作品属于什么风格呢
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As I say in the textbook there, the beginning of the Beethoven Fifth is something like a musical punch in the nose.
正如我在课本里所说的,听到贝多芬的第五交响曲开始乐段,就像有人用音乐,在你鼻子上猛击了一拳
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Okay. If you go to hear a symphony of mid-Beethoven, on-- each movement will probably last fifteen minutes.
好，如果你去听一部贝多芬中期的交响乐，每一乐章大概15分钟左右。
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We said the third movement was dance derived, but in this case with Beethoven it's a very strange dance if it is dance derived.
我们说过,第三乐章是由舞曲衍生的,但贝多芬这第三乐章里,这舞曲很怪异,如果它的确是由舞曲衍生的话
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Bach wrote a mass, Mozart wrote many masses, Beethoven wrote two important masses and so on.
巴赫写过一首弥撒曲,莫扎特写过很多,贝多芬写过两首重要的弥撒曲,等等
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Now let's contrast that with what happens in the second movement of Beethoven's Fifth Symphony where we have a lyrical, long, flowing theme. Okay?
现在我们拿它来对比下,贝多芬第五交响曲的第二乐章,这部分有长时间抒情的流畅主题,开始
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Beethoven was like a military general, interesting the way he operated, always setting up these battles.
贝多芬就像一个军队里的将军,他的指挥很有趣,总是想打仗
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Well, we've got a skippy Beethoven music but here with Tchaikovsky he's coming down, just straight down, down consecutive intervals there for the most part.
我们听过贝多芬的曲子,非常跳跃,但在柴可夫斯基的乐曲里,音高急转直下,动机部分连续出现音程下降
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Seems very simple, but took Beethoven a long time to iron all this out and make this perfect melody, the prototypical melody in a way.
似乎很简单,但是花了贝多芬很长时间来琢磨,最后做出这段完美的旋律,这段典范旋律
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Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
让我们现在来听一点贝多芬，他的第六交响曲，田园交响曲。
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Here's a good example of a minor from the second movement of Beethoven's Third Symphony.
这有一个小调的好例子,来自贝多芬第三交响乐的第二乐章
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Whereas the--if I take the rhythm out of the Ninth Symphony really Beethoven there is just going up and down a scale so it's very conjunct.
无论哪里,如果我将第九交响曲的,节奏单挑出来,你就会发现贝多芬这里,仅仅是一个个升或降的音阶,这是级进的典型例子
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And let's go to a little bit more of Beethoven.
现在我们再来多听一点贝多芬。
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Beethoven, in a way, saved this melody.
在某种程度上,贝多芬挽救了这段旋律
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So in this 40-minute interval we've gone sort of through an emotional musical journey here from despair, despondency, uncertainty, to whatever- to personal triumph, and in a way that mirrors some of the things that were going on in Beethoven's life.
在这四十分钟的乐曲里,我们走完了一趟情感丰富的音乐旅程,从消沉沮丧,到半信半疑,再到个人胜利,其实在某种意义上也反映了事实,贝多芬的人生,也将经历相似的历程
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Let's see how these play out by means of a quick review of Beethoven's Fifth Symphony so all we're going to do here is going to go from the beginning of the track for the first movement to the second movement and so on, and well, let's just start here.
让我们通过迅速回顾贝多芬的第五交响曲,看乐章是如何表现的,我们现在要从,乐曲的第一乐章开头开始,听到第二乐章,以此类推,好,让我们从这开始
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All right. So those of you that are raising your hand, and some aren't raising their hands but that's okay, those of you almost unanimously say that the Beethoven Fifth Symphony sounds somewhat ominous to us, somewhat fateful to us, and the Beethoven Ninth Symphony conversely has a different sort of feel to it.
你们其中的有些人举起了手,其他的没有举,其实都很好,你们当中的几乎一致认定,贝多芬第五交响乐,听起来是对宿命的激烈的抗争,然而贝多芬第九交响曲相反的,采用了另外的一种不同的方式
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So I'm going to tell you a lot about classical music in here: Mozart, Bach, Beethoven.
因此我会在这儿跟你们谈到,很多古典音乐的知识,Mozart,巴赫,贝多芬
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We've got some chords set out and we're going to-- we've got some chords set out here and we're in the key of C at this point, and we're going to hear Beethoven go to a tonic chord, then a sub-dominant chord, then a tonic chord, then a dominant chord and so on.
我们看到有一些和弦-,而我们现在在C调的位置上，然后听贝多芬的主音和弦，然后是次属音和弦，然后是主音和弦，接着是属音和弦，如此往复。
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