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The genius of Fish's reading of Milton's similes is to understand the particularly time-bound nature of Milton's verse.
费什解读弥尔顿的比喻的天赋,能够帮助我们理解弥尔顿的韵诗在特定时代下的本质。
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This is the line that begins the poem's final verse paragraph and it has to be one of the most amazing moments in all of English literature.
这行是以诗篇最后的韵诗开端的,是英语诗歌文学中,最惊艳的段落之一了。
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The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗罗斯特基本的诗歌韵律,是英国诗歌的基本韵律，也就是无韵诗或不押韵的五音部抑扬格。
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It's a provisional ending. It's not a rhyme word, and so it doesn't constitute the end of a unit of sense as a rhyme word would in most heroic couplets.
它不是真的结尾，不是韵脚，因此它不像大部分英雄双韵体中的韵脚词一样,标志着一个意思表达的完结。
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Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文学发展到那时候，只有为戏剧写的诗,才会用不押韵的抑扬格五音步，即无韵诗。
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Blank verse: it is the heroic language of Shakespeare, of Milton, of Wordsworth.
无韵诗：它是英雄的语言,是莎士比亚，弥尔顿，沃兹沃斯的语言。
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This is blank verse; ; it's the language of Shakespeare; it's the language of Milton.
这是无韵诗;,莎士比亚的语言;,弥尔顿的语言。
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Blank verse is unrhymed iambic pentameter.
无韵诗是不押韵的抑扬格五步格诗。
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Those are plays though, and all English narrative poems, including all of Shakespeare's narrative poems, they had all been written in rhyme, either long verse paragraphs of rhymed heroic couplets or in intricately rhymed stanzas.
但那些是戏剧，所有的英语叙事诗，包括所有莎士比亚的叙事诗，都是押韵的，不管是英雄双韵体的大段诗篇,还是精巧押韵的诗节。
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