Self-alienation, in Barth's work, is the product of desire. Desire, love: that's the moment when you're supposed to be perfectly present.

巴斯作品中，自我疏离是欲望的产物，欲望，爱：,那是你应该在场的时刻。

耶鲁公开课 - 1945年后的美国小说课程节选

The hero of the story is in love with a woman who--alas and alack--does not love him.

主角爱上了一位女子，可是那女子并不爱他。

耶鲁公开课 - 死亡课程节选

and she says'yes' being honest and sincere and he says it clearly and he looks a little depressed and says, ''well, can you love me?"

她说了，是的',她是坦诚，真切的,并且他明确地说,面带一丝沮丧,问到，那你能爱我吗“

麻省理工公开课 - 电影哲学课程节选

In answer to the promise of the Bishop's heavenly mansion in another life, she claims another sort of house, what she calls love's mansion which is noble itself and which is to be lived here on earth.

在回答主教许诺的在另一个世界,生活在天国的大厦时,她提出另一种房子，称之为爱之屋,那房子自身是高贵的,是在现世存在也可居住的。

耶鲁公开课 - 现代诗歌课程节选

And so, I would argue to you that Salinger imagines literature as a performance of this kind, a performance of a language of family love that is nevertheless also an aesthetic language.

所以，我认为Salinger想象的文学,作为这种家庭里爱的语言的表现,那至少也是充满美感的语言。

耶鲁公开课 - 1945年后的美国小说课程节选