So the criterion is: is it relevant to the unified form that we as critics are trying to realize in the text?

所以，这里的标准是：,隐含的意义是否和文本的一致性有关,而这正是我们作为文学批评家,要通过文本实现的？

耶鲁公开课 - 文学理论导论课程节选

His terms are very much informed by a modernist sensibility of what literature is all about-- and I'm going to say more about what that is when I lecture on Lolita--but it's very much in contrast with that Ulysses ad. " Don't identify. It's not about you.

他的方式都是通过对文学的,现代主义式鉴赏来表达的,我在讲《洛丽塔》时会再详细说明,这和《尤利西斯》的广告有很大不同“,“无须认同，那与你无关，那是关于其他事情的”

耶鲁公开课 - 1945年后的美国小说课程节选