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And what I want to read to you is this passage on page 7: I was lost in a fog of fear.
我想给大家,念一下第七页：,“我在充满恐惧的迷雾中迷失。
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This is the road of the unhoused, of the spiritually seeking, of the wandering, of the lost.
这是无家可归者的路，是精神探求者的路，是流浪者的路，是迷失者的路。
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And that is the sort of psycho-analytic one, ascribing this sense of lost in the past, to the death of Welles's mother.
这里面也有一点心理分析的成分，将迷失在过去的感觉归因于，是威尔斯母亲的去世。
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It's very relaxing, it achieves the same function as focusing on your breath, give you something not to get lost, but feel sort of centered in.
它令人十分放松，它能和集中注意力呼吸,起到同样的作用，并不是让你迷失，而是感觉到集中起来。
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When I was a kid there was a television show called Lost in Space.
我小时候,有一部叫"迷失太空"的电视剧
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I remember when I was a kid, I read this book by Thomas Wolfe called Look Homeward Angel, and in the end he says, "oh lost, and by the wind grieved, ghost, come back again."
我记得自己还是孩子的时候,读过一本托马斯·沃尔夫的书,名叫《天使望故乡》,结尾的时候,他说,"啊,迷失的人,还有那随风悲泣的亡魂,回来吧"
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Now, let me explain a detail that I think is important, but I think a little lost to us in today's world of technology.
现在，让我向你们解释一个我认为很重要的细节，但是我觉得在现在的科技中有点迷失了的。
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Oh, Son. Did you not ever go on your knees and pray for deliverance from all your sins and scoundrel's acts? Lost boy, depart.
噢，儿子！你怎么不跪下，为了对你的所有,罪恶和卑鄙行为的判决而祈祷，迷失的孩子，走吧。
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Even so experimental a book as John Barth's Lost in the Funhouse is totally absorbed in the problem of what it would mean to write about yourself.
就算约翰，巴思的《迷失在游乐场》这么一部实验小说,也在专注一个问题,就是写关于自己经历的意义。
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They got lost in the fear or pressure performing at this high level.
在恐惧和压力下，因赛事之高,而迷失。
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Who else? Your favorite story. Yes. "Lost in the Funhouse."
还有谁，说说你最喜欢的故事，《迷失在开心馆》
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I think that's also why Barth chose to write this story in the perfect short story form. And that form is also given to us in Lost in the Funhouse, on page 95, when we get the diagram of Freitag's Triangle.
我认为这也是为什么巴斯选择用完美的短篇小说的,模式写这个故事的原因，这个模式在,《迷失在开心馆》里也有体现，在第95页，就是Freitag三角的图解。
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