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It's a huge book which is all about this short story by Balzac, "Sarrasine," that he begins this essay by quoting.
这本大部头的书都是在讲巴尔扎克的短篇小说《沙拉辛》的，在文章开头他引用道。
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And he's parodying both kinds of response in this novel, so in that sense, the novel is very much of its time.
在小说中他模仿了两种方式的应答，从这个意义上说这本小说很有它的时代价值。
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The final section of that novel calls "The Threshing-Floor".
这本小说的最后一部分,叫“打谷场“
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Toni Morrison was speaking for black Southerners in that, I think, fantastic line in her novel Beloved which I know many of you've read because it's taught all the time but there's that marvelous little exchange at one point between Paul D and Sethe.
托尼.莫里森藉由她的小说《宠儿》中,用一句绝妙的句子表达了南方黑人的心声,我知道很多人都已经读过《宠儿》,因为这本书一直被当做教材,不过小说中男女主人公保罗和塞丝,有这么一小段触人心弦的对话
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So, this is the sadness of the novel.It's this unrequited love; Dean is never capable of loving Sal in the same way that Sal loves Dean.
所以这也是这本小说的悲伤，是这个无回报的爱情;,迪安从没能真正像萨尔爱他一样爱过萨尔。
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The first impulse to write this novel is described as a throb.
写这本小说的第一冲动就被描绘成悸动。
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Now, if we have any doubts that On the Road is mythic in itself, I just want to show you quickly two things. In 2007, On the Road had its fiftieth anniversary of publication.
现在如果还有对这本小说虚构性有所疑问，我想要迅速地让向你们展示两件事情，2007年是《在路上》出版的十五周年。
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Throbs" is a word that Nabokov brings out over and over again, in multiple contexts, always connected somehow with this novel.
悸动这个词，Nabokov经常使用，在很多的文章中似乎总与这本小说有关。
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I think it's telling that this kind of creation is a failure; it cannot succeed in the confines of this novel.
我想这告诉我们这种创作是失败的;,它在这本小说的界限内无法成功。
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Well,I think that's a pretty clear-eyed view,and a clear indictment, of what Kerouac is doing through the character of Sal.
这是看这本小说的一个很清晰的视角，对Kerouac为萨尔这个角色赋予的东西而申诉。
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What kind of novel do we see if we attend to those scenes?
在仔细研究这些场景的时候，我们会如何认识这本小说？
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It was written in 1951 and it was published in 1957 by Viking.
这本小说是于1951年写成，1957年Viking出版的。
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