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If the poem seems momentarily to suggest otherwise, that's simply Milton's way of reminding us of the extent of our fallen-ness.
如果这首诗暂时地看起来持相反态度，这只是这就是弥尔顿提醒我们,自身堕落的程度的特有方式。
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Yeah, I think those are the ones that, at the moment, come to mind.
这就是暂时我所想到的。
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As soon as we read the next lines, we're struck with the possibility -and surely it's just a provisional possibility, but we're struck by the image that Satan's spear is actually quite small.
读了接下来的这些句子，我们会震惊于,-当然这只是一个暂时性的可能，我们会震惊，撒旦的长矛原来其实很小。
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It's just a placeholder that says I don't yet know what I wanna put here but I wanna put something, let me get back to you in just a moment.
它只是一个占位符，告诉电脑,我想在这放一个东西，但是暂时还不知道放什么东西，我先打断一下。
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Like all arguments in philosophy, it would be a tentative argument.
与哲学里的其他论证一样,这将是一个暂时性的论证
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To disfigure the mouth -- this is how I would interpret it -- to disfigure the mouth has a primary effect in rendering one at least temporarily speechless.
把嘴巴丑化--这就是我所理解的-,丑化自己的嘴巴使自己暂时不能说话,它是有十分重要影响的。
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We, of course, know as we read the prelude to this poem that this is a work consumed with questions of temporal disjunction, with that problem of temporal discontinuity.
当然我们理解这首诗的序曲,这首诗里有许多暂时脱节，还有暂时的不连续的问题。
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So this is the last new piece of syntax to be honest for a while.
老实说，暂时这是最后一个新语法。
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Of course, this is only provisional but the shady space exists nonetheless.
当然，这只是暂时的,但是这些阴暗的空间一直存在。
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We don't find this out until we get to the next line, that the "fruit" at the end of the line is only a kind of temporary resting place.
直到下一句我们才发现“,这句末的“果子“只是暂时的停顿。
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It's reasonable because it's meant TMP for temporary purposes just to call it temp or T-M-P for short, X and I can define temp as -- why don't I set it as equal to X, initially, because now that I've stored X in a separate chunk of memory, I can now change its value and then I can say Y gets, not X, but temp, and so now I've actually swapped these values.
这是合理的，因为它是为,暂时的目的，只要叫它Temp或简称它为，我可以定义temp为--为什么我不把它设定为等于，最初的，因为现在我把X存储在一个单独的内存块中,我现在可以改变它的值，然后我说Y等于，不是X，而是temp，所以现在我交换这些值。
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