He adds to this image that is perfectly, sufficiently filled with grotesquery as it is -- he adds this next phrase: "and mad'st it pregnant."
他进一步描绘这幅景象,这是完全荒诞不经的了--下一句他写道:,“使它怀孕“
This shocking image, this impossible-to-imagine image of a brooding impregnation, establishes the foundation for two of this poem's most daring elements.
这个令人震惊,难以想象的,孵伏怀孕的景象为这首诗的两个,最为大胆的元素奠定了基础。
And then, I had all these dots moving around this beautiful picture of this map, which represented downtown St. Louis and then later represented New York City, which I was amazed by.
接着我让这些点在这张,漂亮的地图上动来动去,让它们展现出圣路易斯市中心的景象,之后表示出了纽约城,这让我很惊奇。
This is the seventeenth century.
这是十七世纪的景象
There's the deathbed scene.
这是临终的景象。
We see his conflicting emotions both to see and not to see, a sense that he wished to observe and yet he is at, in some ways, at war with himself, knowing to gawk, to stare at this sight.
我们看到他的冲突情绪,在看与不看之间打架,一种他希望观察的感觉,但他某方面,也在和自己战斗,明白自己瞪着这景象时会瞠目结舌。
I'm going to start out today's talk by giving you what has been the standard and orthodox interpretation of how the hoplite phalanx worked, which, I think, again Hanson has given us the clearest and most useful account.
我们今天所要讲解的,是对重装步兵方阵是如何运行,这一景象最标准最正统的阐释,我觉得,汉森给了我们一个,最清晰,最实用的解释
Milton's treading an extraordinarily fine line between the tremendous beauty of this image, on the one hand, and its potential impiety or just grotesquery on the other.
弥尔顿踩到了一条极其微妙的分界线上,这幅景象一方面极具美感,另一方面却可能是对上帝不恭甚至荒诞的。
Now we recognize the song. This is the song from Revelation of the virgins who could learn and sing the new song before the throne of the Lord, but Milton has obviously taken John's image here and exploded the implications of its erotic potential.
我们知道这首歌是指哪首了,是《启示录》中,处子们能在上帝宝座跟前学习演唱的那首歌,但很明显,弥尔顿将圣约翰描绘的这景象,所包含的的感性含义都大大扩大化了。
Out of the wound are dug "ribs of gold." The image that seems initially negative begins to resemble something, I think, quite important and quite beautiful. I'm thinking here of the creation of Eve.
从伤口处挖出了黄金的肋骨,这景象,首先带给人以负面的遐想,我认为这是十分重要的,及十分美丽的,这让我想到了夏娃的诞生。
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