Barthes, while writing this--he's writing what has perhaps in retrospect seemed to be his most important book, it's called S/Z.

巴特在创作这篇文章的时候,根据他的回忆这应该是他最重要的一本书，名叫《S\Z》

耶鲁公开课 - 文学理论导论课程节选

So, there's a tremendous variety of material in this library, and it follows from the fact that it's not a book but an anthology of diverse works, that it's not an ideological monolith.

在这座图书馆里有丰富多样的材料，因此这不仅是一本书,而是各种各样文献的合集，这不是什么讲思想道德的长篇大论。

耶鲁公开课 - 旧约导论课程节选

Another book, another book cover, The Weary Blues, by Langston Hughes, 1926.

另一本书，另一本的封面，这是1926年由兰斯顿，休斯所著的《萎靡的布鲁斯》

耶鲁公开课 - 现代诗歌课程节选

Well, apparently Richard in real life did not refuse to make those changes. And imagine, in a book that then undergoes this publishing history that I have described, this is kind of a symbolic scene.

很明显，现实生活中的理查,并没有拒绝那些修改,想像一下，经历上述出版过程的一本书，这是象征性的场景。

耶鲁公开课 - 1945年后的美国小说课程节选

I'm going to treat this chapter as a sort of microcosm of the book, with respect to its craft. Let's look at how this opens: "The next afternoon when he got his car back, he drove it out into the country to see how well it worked on the open road.

我认为这一章是整本书的缩影，关于这个的写法，让我们一起看一下她是如何开头的：,第二天下午，当他拿回自己的车时，他把它开出去,开到农村里，想看看开着它在平坦的公路上时，它的性能如何。

耶鲁公开课 - 1945年后的美国小说课程节选