• That's why the poem, the lyric poem, is privileged among the forms of literary discourse in the New Criticism.

    就是为什么诗,一首抒情诗,在新批评派眼里要优于其他各种文学形式。

    耶鲁公开课 - 文学理论导论课程节选

  • to really expose yourself and to really take the criticism because it will happen.

    要真正地曝光自己,在遇到批评时要真心接受,因为都是会发生的。

    有这样的困难 - SpeakingMax英语口语达人

  • That's how this advertisement represents critics, even though it also invokes critics to describe what's powerful about the novel.

    就是广告对批评的描述,尽管如此,它还引述批评家的话来衬托小说的出色之处。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • That has been a frequent source of the criticism of the New Criticism in its afterlife over the last forty or fifty years.

    也是新批评派,在过去四五十年的,理论根据之一。

    耶鲁公开课 - 文学理论导论课程节选

  • And this is one of the main critiques of Freud.

    也是大家对弗洛伊德的主要批评之一。

    耶鲁公开课 - 心理学导论课程节选

  • It's a very hard-hitting critical article.

    是篇很尖刻的批评性文章

    耶鲁公开课 - 金融市场课程节选

  • The critics of this point of view would say that's impossible and inconceivable.

    种观点持批评态度的评论家,认为令人难以置信

    耶鲁公开课 - 古希腊历史简介课程节选

  • Wimsatt has his little joke about drinking a pint of beer, taking a walk. So the New Criticism just isn't interested in those sorts of spontaneous overflow.

    文萨特也开玩笑似的把比喻成喝完一品脱啤酒,然后散散步,所以我说过了,新批评派对东西不感兴趣。

    耶鲁公开课 - 文学理论导论课程节选

  • The New Criticism delights in showing how all five or six of those meanings do have some bearing on the meaning of the poem.

    批评派将很乐意为你展示5-6种含义,是怎样将诗想表达的意思表达出来的。

    耶鲁公开课 - 文学理论导论课程节选

  • That's like the New Critics saying that a text has structure.

    就像是新批评主义的说法,那就是文本有自己的结构。

    耶鲁公开课 - 文学理论导论课程节选

  • Not to worry. That has nothing to do with the New Criticism.

    别担心,和我们所说的新批评派一点关系也没有。

    耶鲁公开课 - 文学理论导论课程节选

  • T.S. Eliot, who was in many ways associated with the New Criticism, one of its intellectual forebears, nevertheless took a somewhat dim view of it and called it "lemon squeezer criticism."

    提到新批评派不能不提T,S,爱略特,是位元老级人物,他对个新文学鉴赏方式持有一种比较特别的观点,他称之为,“挤柠檬式批评主义“

    耶鲁公开课 - 文学理论导论课程节选

  • So the criterion is: is it relevant to the unified form that we as critics are trying to realize in the text?

    所以,里的标准是:,隐含的意义是否和文本的一致性有关,而正是我们作为文学批评家,要通过文本实现的?

    耶鲁公开课 - 文学理论导论课程节选

  • Like the Russian formalists--and in a way like the New Critics -talking about their "academic" colleagues, Saussure is vexed by the messiness and lack of system in the study of linguistics.

    一点和形式主义者,新批评论者,些学院派的人们很相像,索绪尔对语言学的杂乱,和无章感到恼火。

    耶鲁公开课 - 文学理论导论课程节选

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