Now, I know it's easy to look at me and say, "God, there's an old leftie, why doesn't he grow up?"
如今,我知道你轻易就可以看着我感叹,"天啊,这个老左派,他怎么还不成熟起来"
It's the story of the old opera house and the ghost of the opera, right?
这个故事讲的是一所老歌剧院和歌剧院的幽灵,对吧?
One thing that most people do in fact agree on is that the oldest account of the event is a poetic fragment 12 that's found in Exodus 15, verses one to 12, in particular.
大家都同意的一点事,这个故事的最老版本来自于诗残本,尤其体现在《出埃及记》15中的诗1和。
So we have to assume that the occasion for this poem is some kind of question posed by John Milton, Sr., a question like, "To what end am I supporting you, Son?
我们可以假定这个诗的起因是,老约翰弥尔顿问小弥尔顿,“我到底为什么要资助你,儿子?“
When I ran it up here, with the old Fib, and we printed the result, and I ran it with Fib 1 down here.
当我运行到这里,也就是老的Fib函数,我们打印这个结果,当我在下面调用Fib1时,也打印了结果。
But then an old Yalie who took this course when he was very young, and later became an ancient Greek historian, took the wonderfully outlandish device of answering this question.
有一位老耶鲁人在年轻时选了这门课,后来成了一名历史学家,专攻古希腊史,他极其出色地回答了这个问题
because this very old factory is about to be demolished in 2012.
因为2012年这个老工厂就要被拆除了。
So, the barber is speaking about his son in such a way that he seems alive, but, in fact, he's dead. So here is one dead child playing baseball, or the memory of him playing baseball is alive with his father.
这个老理发师在用一种谈论,活人的口吻谈论他的儿子,但实际上他已经死了,那么,这里是一个打篮球的孩子的死,也许对他父亲而言,关于他打篮球的记忆将长存。
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