• All right so roughly into the middle over too fast) roughly into the middle and at this point you realize what letter of the alphabet are you on?

    好,先大致翻到中间,呵呵,你翻得也太快了些,在这一页,你看到了哪个字母?

    哈佛公开课 - 计算机科学课程节选

  • Make sure that you underline every verb throughout the entire page.

    记住在这一页上的所有动词下面划线。

    Would you please 实战 - SpeakingMax英语口语达人

  • Then I want to note the transition that happens at the very bottom of this page after he says, "I was chastened whenever I remembered that my mother had come close to killing me."

    我想强调的是,最下面的转折,在他说完“想起母亲过来揍我,我就会很听话“之後“

    耶鲁公开课 - 1945年后的美国小说课程节选

  • All right, so that will now allow you to turn the page, I think, and we can take a look at the probability.

    好了,现在你们可以翻过了,让我们看看概率密度。

    麻省理工公开课 - 化学原理课程节选

  • So look at the bottom of the page. This is line 344.

    看到这一页最下面,344行。

    耶鲁公开课 - 弥尔顿课程节选

  • This is a point of view specifically associated in Yeats's late poetry particularly, but not only, old women, as he says on page 886, back in that General Introduction for My Work.

    这一观点具体和叶芝晚期,的诗歌相联系,尤其但不仅仅是老女人,886他说,在我的作品简介书里。

    耶鲁公开课 - 现代诗歌课程节选

  • The first thing I want to be sure was all students understand about the mechanics of the course and the best way to learn about that was to read very carefully the paragraphs at the bottom.

    首先我想确认,大家都能明白门课的授课形式,大家最好都去仔细阅读,刚发下去的课程大纲,请看这一页的底部。

    麻省理工公开课 - 电影哲学课程节选

  • Here, from the Austrian National library where I was last summer photographing and having a wonderful time, is the last page of the Mozart -that Mozart ever wrote here. This is the "Lacrimosa, " and sort of breaking off--and he doesn't finish this particular movement.

    些都来自于奥地利国家图书馆,就是去年夏天我拍照的地方,在那我度过了快乐的时光,是莫扎特安魂曲的最后一页,他曾写在上面,是《落泪之日》,还是半成品,他没来得及完成个特殊的乐章

    耶鲁公开课 - 聆听音乐课程节选

  • I still want to tell this story," and he does it in a kind of roundabout way. And this is on page 49.

    我还是想要告诉人们我的故事,他用种迂回的方式样做了,是在49

    耶鲁公开课 - 1945年后的美国小说课程节选

  • On 267, this is in one of these parenthetical passages where the narrator is commenting on what he's just given account of in his experience.

    67段插叙,叙事者在评论,他诉说过的经历。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And I think of that front and back of the page as another kind of knight's move. You think you're looking at one thing, and you land on another.

    让我想到的开头和结尾都是种迂回前进,你认为你正在看某样事物,事实上你在看另个。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And here in the middle of the page a little ways down: My love's striped black-and-white cotton frock, jaunty blue cap, white socks and brown moccasins were not quite in keeping with the large, beautifully cut aquamarine on a silver chainlet which gemmed her throat, a spring rain gift from me.

    这一页中间偏下的地方:,我的小情人穿着黑白条子的棉布裙,带着鲜艳的蓝色帽子,白袜子和亮皮鞋与她脖子上那条优美的,蓝宝石项链有些不协调,是由于那场春雨我送给她的礼物。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But this is mirrored by Sal's very specific investment in Dean, and this is on the bottom of the facing page, on 189: Resolutely and firmly I repeated what I said.

    不过也反映了萨尔对迪安非常具体的付出,在189的底部:,我加重语气重复了遍我说过的话。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • This is where Milton imagines -- you have to turn to this.

    里弥尔顿想象--翻到这一页

    耶鲁公开课 - 弥尔顿课程节选

  • And he says on page 884: A poet writes always of his personal life, in his finest work out of its tragedies, whatever it be, ; remorse, lost love or mere loneliness; he never speaks directly as to someone at the breakfast table there is always a phantasmagoria.

    84他说道:,诗人总写自己的生活,最好的作品总是悲剧,不管是后悔,失恋或孤独;,是他不会在餐桌上讲的,总是有种幻境。

    耶鲁公开课 - 现代诗歌课程节选

  • There's a whole, a-75-page chapter on Hitchcock which is crucial in the book, we'll explain all that to you And in the first chapter on Hitchcock there's a considerable discussion of Psycho.

    关于希契科克的那章有75之长,在书中是关键的章,我会给你们讲解,在关于希契科克的那章里,有很多对于《精神病患者》的论述。

    麻省理工公开课 - 电影哲学课程节选

  • Now, I want to look at page 231, 232. This is one of those passages that Nabokov points out as being special to him. This is Lolita playing tennis.

    现在让我们跳到231,232是纳博科夫提到的,对于他有特殊意义的段,它描述了洛丽塔打网球的场景。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And the rest, what we see of the rest, is nowhere in the classroom for Orson Welles in terms of technique. So that remake is interesting and that's why I spent the pages discussed it in my chapter. But it's not a competitor.

    剩下的呢,就是我们所看到的,没有给奥森·威尔斯施展,他技艺的空间,所以翻拍版很好玩,也是为什么我用许多来,在我那章中讨论此事。

    麻省理工公开课 - 电影哲学课程节选

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