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Another way into this problem: let's look at the comments that Dr. Johnson made about Milton's Lycidas in the eighteenth century.
看这个问题的另一个角度：让我们看看,约翰逊博士在18世纪队弥尔顿的《利西达斯》所做的评论。
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You can see on the handout those poems by those classical authors that Milton's Lycidas is most indebted to.
讲义上有这些经典作者的经典诗作,弥尔顿的《利西达斯》是受这些诗作的启发写成的。
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Six years later when Milton writes Lycidas, he's employing the same fiction of unreadiness and filled with all of the same anxiety of under-preparedness.
六年后弥尔顿写《利西达斯》的时候，表现的还是这种未准备好的状态,充满了同样的为薄发而厚积时的焦躁。
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As in Sonnet Seven, Milton writes the first verse paragraph of this great poem, Lycidas -- the first fourteen lines - in essentially the form of a sonnet.
如同《十四行诗第七首》，弥尔顿写《利西达斯》,这首伟大的诗的开头--头14行时,-用的还是十四行诗的形式。
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You can figure Milton asking in this poem Lycidas if it's true: is it true what the Elder Brother said, ? that virtue is always rewarded and evil punished?
可以看出在《利西达斯》中弥尔顿是在问：,《科玛斯》中哥哥所说的，善有善报恶有恶报是真的么？
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To the extent that Lycidas' body has been recovered, that it's been redeemed, Milton is able -- perhaps successfully, Milton is able to justify the ways of God to men.
利西达斯的身体最终愈合了，被救赎了，这样弥尔顿就得以--或许是成功的，证明了上帝待人之法。
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Lycidas' death -- remember this is the poem that Milton didn't want to write, he was "forc'd" to write it -Lycidas' death allows the uncouth swain to grow up and to move on.
利西达斯的死-记住这是一首,弥尔顿并不想完成的诗，他是被迫的,使得这个粗鄙的年轻人能够成长并继续前进。
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In Lycidas Milton doesn't let himself, thank God, go quite so far as he does in this amazing ending to "Damon's Epitaph."
感谢上帝，在《利西达斯》中，弥尔顿做的不像，他在《达蒙的墓志铭》的结尾那样过火“
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And as if that weren't terrible enough a realization, he goes on to envision an even more grotesque end for Lycidas' body.
似乎这还不够可怕，弥尔顿又进一步给利西达斯的尸体想象了更加怪诞的结局。
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It's as if Lycidas has died so that Milton could live to become a great poet.
似乎利西达斯依然死去，因此弥尔顿才得以继续存活,并成为一个伟大的诗人。
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Lycidas' untimely death seems to enable Milton to master his own fears of untimeliness.
利西达斯不合时宜的死亡似乎,使得弥尔顿能够掌握他自己对于不合时宜的恐惧。
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The body of Lycidas, even in death, is of an unusual interest to our poet.
利西达斯的身体，即使死了，对弥尔顿来说也很重要。
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No sooner has the speaker asked this question -- and you see this rhythm, this dynamic, appear continually throughout Lycidas - he asks the question, and then immediately he acknowledges the inadequacy of the question.
刚问完这个问题--这种节奏，这种动态是贯穿《利西达斯》始终的,-刚问完这个问题，弥尔顿又立即承认了,这个问题是不适当的。
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Milton's Lycidas' body is still in some way a physical one.
弥尔顿所写的利西达斯的身体仍然是物质的，具体的。
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I'm hoping that it feels a little strange to you and it seems strange, I think, when you consider what is obviously here the Christian context of Milton's Lycidas.
我希望你们会觉得这有些奇怪，考虑到弥尔顿写《利西达斯》时的基督教背景,这就显得很奇怪了。
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This letter was written at nearly the same time that Milton was writing Lycidas.
这封信几乎是弥尔顿写,《利西达斯》同时期写的。
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It's 1637, later that same year, that Milton writes Lycidas.
也是在1637年，晚些时候，弥尔顿写了《利西达斯》
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This really provides the central rhetorical base for Milton's Lycidas.
这为弥尔顿的《利西达斯》提供了行文基调。
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Look at line 183. Milton imagines Lycidas in heaven now.
看一下183行，弥尔顿想象着利西达斯身在天堂。
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Milton's nearly twenty-nine years old when he writes Lycidas.
写《利西达斯》的时候弥尔顿将近29岁了。
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Now readers have always seemed to have agreed that Milton's Lycidas is an enormously admirable poem, but for a few hundred years now there has been a controversy over how admirable Milton's Lycidas is, specifically as an elegy.
现在读者们一致认为,弥尔顿的《利西达斯》是一首极其非凡的诗作，但是几百年来，对于这首诗，特别是作为一首悼亡诗,到底有多么非凡一直有所争论。
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Bitter constraint, and sad occasion dear, Compels me to disturb your season due: For Lycidas is dead, dead ere his prime... Milton is lamenting, once again, that Milton has been compelled to begin writing.
因为亲友的惨遇，痛苦的重压，迫使我前来扰乱你正茂的年华：,利西达斯死了，死于峥嵘岁月。,弥尔顿再一次哀叹道，他是不得以写这首诗的。
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