The opposition is between poetry that makes money and poetry that, precisely because it is good poetry as modern poetry defines it, does not.
对立性主要存在于为了赚钱的诗歌和,不为金钱的角度,现代诗歌意义上的,好诗歌之间的分歧。
This tactile mastery attests to something remarkable that's happened over the course of the poem, somewhere below the surface of the poem, somewhere between the lines.
这种触觉的掌控证明了一些发生在诗歌里的意义非凡的事情,这些事情贯穿诗歌的整体,暗藏在诗歌的表面之下,深埋在字里行间。
In this respect, he seems to have followed Spenser -- Edmund Spenser, whose Faerie Queeneis in large part a tribute to the sacrament of marriage, although interestingly The Faerie Queene, the great Spenserian poem, never actually manages to feature a marriage between two human beings.
这样看来,他似乎是,秉承了斯宾塞--埃德蒙·斯宾塞,他的作品《仙后》,很大程度上来说是对婚姻圣礼的颂词,尽管有趣的是,《仙后》,这一伟大的斯宾塞体诗歌,从没有真正意义上,在两人的婚姻中发挥重要作用。
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