Her aim is to get along in a world that is dominated by shifting forces that can be registered and reacted to by poetry, but not explained.
她的目的是通过诗歌所能记录,达到却不能解释的,变幻莫测的力量,来和被统治的世界相处。
Satan resembles us as readers as we attempt to dissect and to anatomize the power of Milton's poetry.
作为读者撒旦与我们相似,试图解构剖析弥尔顿诗歌的力量。
The special sound of Frost's poems result from the tensions between these pairs of opposing forces as they are embodied in his language.
这种诗歌的特别声音来自这种紧张,这种反抗力量之间的紧张,都在他的诗歌中得到体现。
He talks about the nobility of the poem, the force from within it being equal to the force that might be applied from without.
他认为诗歌的高贵,是指诗歌内部的力量,也可以运用到诗歌外部。
But it's still a promise, and it's a promise of the powers of imagination and of poetry, and of poetry made out of play, of a child's play.
但始终还是一个希望,一个想象力和诗歌伟大力量的希望,这些诗是从玩中来的,从孩子们的玩耍中。
Part of the poem's force derives from the status of this moment as something remembered, and remembered within the context of a nation at war.
诗歌的一部分力量来源于,事情被记起那一刻的状态,并且是在国家处于战争时期的情况下记起的。
Now you will remember that the mask Comus was everywhere well, the strangely intertwined questions of the power of chastity on the one hand and the power of poetry on the other.
你们应该记得,面具戏《科玛斯》处处都,一方面是贞洁的力量,一方面是诗歌的力量,这两股奇特的纠缠在一起的力量。
There is first the understandable aesthetic power, the power of the beauty of Milton's verse, an aesthetic power that's often thought or felt to inhere somewhere in the poetry itself.
首先是美学上的力量,这是可以理解的,弥尔顿的诗句之美的力量,一种美学意义上的力量,大家通常认为或觉得这是弥尔顿诗歌本身固有的一种力量。
It's part of the energy and force of the poem.
这是诗歌力量的一部分。
So Milton explains in The Reason of Church Government -he tries to mend this breach and so he argues in this treatise that "Poetry has" -and I'm quoting him here -"Poetry has a power beside the office of the pulpit."
因此弥尔顿在中解释到,他试图修复自身的这种僭越,因此,他在文章中争论到“,我这里也引用了,“诗歌有着布道论教所不可及的力量“
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