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Yeats is always creating himself in his poems and creating himself as a kind of version of a type.
叶芝总是在他的诗歌中以一种,特定类型的变体来创造自己。
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For me, I kind got into English through like, poetry and learning
对我而言，我通过诗歌来学习英语，学习
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The Nativity Ode is continually presenting the speaker with temptations, with incitements to sin that need to be purged from the speaker's poetic voice.
圣诞清晨歌》继续呈现给诗歌发言者一些诱惑，对罪孽的激励需要,诗歌语言发言者来净化。
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I'd like to look with you at "The Song of the Wandering Aengus" as a kind of model of the kind of poem I'm talking about and its aesthetics.
我想让你们读读,流浪者安古斯之歌“,最为我正在谈论的诗歌,和其美学的代表来读。
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So I wrote a chapter on him called Jean Cocteau and the poetry of film.
我曾写过一章来写他,章名叫，让·科克托和电影诗歌。
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There are two reasons, for the most part, why they are coming: they're coming to find poems that will be relevant, equal to the occasion of a death or a marriage.
主要有两个原因能解释为什么，人们访问美国诗人协会网站：,人们是来寻找一些诗歌，一些有关,死亡与婚姻等的诗歌。
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The Greek way of looking at things requires a change from the characteristic way of knowing things before the Greeks, that is to say, the use of faith, poetry, and intuition.
希腊人观察事物的方式需要改变,这和之前人们通过信仰,诗歌和直觉来了解事物的方式,发生了很大的变化
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Apollo had touched Milton in a way that I think we can actually measure by the end of this poem because Milton at the conclusion of Lycidas seems to have assumed the authority of Apollo.
阿波罗以一种我们可以通过,诗歌的结尾来估测的方式轻抚着弥尔顿,因为弥尔顿本身在的最后,似乎也在假定着阿波罗的权威。
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Milton corrects -- it's as if he's correcting the sense of monotony with which he had begun the poem, and he corrects that sense of monotony by rewriting that initial phrase.
弥尔顿纠正道-正如他纠正那种单调的枯燥感,他用诗歌的开头句进行了纠正，他还通过重写开头句来纠正那种枯燥感。
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Instead, things in Frost are "made" in the sense of "constructed."
相反，弗罗斯特是以一种建造观来创作诗歌的“
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The poet is asking for help with the composition of the poem.
诗人用创作诗歌来请求帮助。
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And I can only assume that that is precisely the point, that Milton would -- later in 1667 when Paradise Lost is published, he would make his poem canonical just like The Iliad and just like The Odyssey and The Aeneid before anyone had actually read it.
我只能假设就是为了这点，当他在1667年出版《失乐园》后，弥尔顿会遵照《伊利亚特》的模式来创作诗歌,还有《奥德赛》和《埃涅阿斯纪》,在这之前人们还没有真正的读过这些书。
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Now not only does Phoebus Apollo make a sudden appearance, but he seems actually to interrupt the speaker of the poem in order to correct him.
不仅是他的登场让人措手不及，他似乎也打断了诗歌创作者的叙述,以此来对他进行纠正。
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My long scythe whispered and left the hay to make" returns us to the work of mowing and the work of reading and interpretation and deciphering.
我的长长的镰刀低语着留下一堆稻草“,这让我们重新回到割草的劳动中,来朗读，解释，解密这首诗歌。
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And in so far as it is possible for me, to try to preempt what that impact or effect might be in the sense of trying to figure out whether or not it will have an impact on you and what it might be.
只要有可能，我就会通过自己对诗歌的感受,来试图推断这首诗,是否会对读者产生冲击，会产生怎样的冲击。
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But it's still a promise, and it's a promise of the powers of imagination and of poetry, and of poetry made out of play, of a child's play.
但始终还是一个希望，一个想象力和诗歌伟大力量的希望，这些诗是从玩中来的，从孩子们的玩耍中。
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It's an extraordinarily dark way to characterize the composition and the process of the poem.
这样来界定创作诗歌的过程,是一种非常不好的方式。
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But Milton portrays himself as a laborer here, a poet who by labor and intense study actually has to work to produce the great poem. Milton's divine vocation, his calling, seems in this light to be something like a vocation in the modern sense: it's a job that exacts work or labor.
但弥尔顿把他自己描绘成一个工人,一个只能通过努力学习来创作出,伟大诗歌的诗人，弥尔顿的神圣的使命，他的天职，就此而论就像现代意义上的职业了：,一份要求工作和劳动的职业。
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