So we're talking about a poem being able to sustain itself in the world to be equal to the world.

因此，一首高贵的诗歌能够,在这个世界中维持自我并与这个世界媲美。

普林斯顿公开课 - 人性课程节选

At the very end of the poem, the uncouth swain "rose, and twitch't his Mantle blue: tomorrow to fresh Woods and Pastures new."

在诗歌的最后，这个粗鄙的年轻人吟唱到,“慢慢上升，挥动了他蔚蓝色的丝巾“,向崭新的牧场和森林眺望明天“

耶鲁公开课 - 弥尔顿课程节选

That's the case marvelously in this poem, and I'd be happy to talk about particular examples with any of you who'd like to work through it.

这个是在诗歌中非凡的例子，我很乐意谈论这个独特的例子,和你们中任何想研究这个的人。

耶鲁公开课 - 现代诗歌课程节选

Milton will only use the word career once in his poetic oeuvre and it comes -- it will come pretty soon, actually, in Sonnet Number Seven.

弥尔顿在他的全部诗歌作品中只用过一次事业这个词,我们马上就会看到，在十四行诗的第七行。

耶鲁公开课 - 弥尔顿课程节选

The popular, old-fashioned Frost and the elite, modern Frost--these roles point to a division in the audiences for poetry that emerges clearly in this period.

这个大受欢迎，旧式的弗罗斯特和那个高雅的，现代的弗罗斯特，这些角色指出了观众的分化,因为诗歌在这个阶段表现的是那个。

耶鲁公开课 - 现代诗歌课程节选

But the hymn at the same time is something like the process, the process by which Milton is attempting to purge and cleanse his poetic voice and make it a voice that will actually be equal to the extraordinary ambition that he has for it.

但颂歌同时又像一个过程，在这个过程中弥尔顿尝试净化,他诗歌的语言，把它变的,像他当初想的那样非同寻常,人人都渴望得到。

耶鲁公开课 - 弥尔顿课程节选