Yeats sees the Second Coming as an image, as a myth, an idea, a metaphor, a certain stylistic arrangement of experience.
叶芝把第二次降临看成一个意向,一个神话,一个意识,一个比喻,一种诗意的安排和感受。
And the figure of the poetic rewards for chastity continues to surface throughout Milton's early works.
同时,因为操守贞洁而受到诗意赞美的人,贯穿了弥尔顿的早期作品。
In Stevens, modernity shows us that the truth of religion was always a fiction, a fundamentally poetic construction.
在史蒂文斯的诗里,现代性向我们展示了,宗教的真理不过是虚构之言,是最基本的诗意创作。
French universities are named very poetically, Paris I,II,III,IV,V,VI, all the way through XIV, which is a real hole, or XIII is probably the worst.
巴黎的大学命名得都很有诗意,巴黎第一大学,第二大学,第三大学,以此类推,一直到第十四大学,这是真实存在的,第十三大学可能是最差的
It's poetic and lyrical and if William James characteristically writes that way.
充满了诗意和感情,如果这是威廉,詹姆斯的写作特征。
A mobile army of metaphors, metonymies, anthropomorphisms in short, a sum of human relations which became poetically and rhetorically intensified," "and are now no longer of account as coins but are debased."
一支由暗喻,转喻,拟人组成的机动部队,简单来说,人们之间的关系,诗意般地在修辞上加强了“,人们之间的关系不再值钱,而被贬低了“
Milton has mastered his poetic touch, perhaps because Milton himself has been touched.
弥尔顿已经掌握了他的诗意触感,或许是因为他自己曾被触动过。
Feet, of course, has a lot of meanings, and Milton's poetic feet, the material of the verse written in six and eight and ten syllables in this poem, are also in 1634 printless -- they're unpublished.
双脚,当然有很多意义,而弥尔顿富有诗意的双脚,这首六,八,十音节的诗,在1634年也是不留痕迹的--因为那时候还没有出版。
But she goes further than Tolstoy in her commitment to the seemingly non-poetic.
但是她比托尔斯泰挖掘的更深,使其显得不那么诗意了。
In other words, replacing the shortest distance between two points that we experience in a practical message, "literariness," as the formalists call it, or "poetic language," as they also sometimes call it and as the New Critics certainly call it, slows us down.
也就是说,实用语言以最短的距离,联系两点,而文学性,如形式主义者所称,或诗意的语言,他们有时也会这么叫,新批评派成员一定会这么称呼,使我们的理解速度慢了下来。
One consequence of this view is that for Yeats history starts to look like a poem, or it starts to conform to laws of poetic imagination or of tragedy, if you like, of myth.
这导致了,叶芝的历史观诗化了,或说是符合悲剧中,诗意想象的规律了,也可以说,神秘主义了。
Everyone agrees that the epic similes in Paradise Lost are different from the epic similes in any other epic poem, and everyone agrees - I'm just going to be presenting to you a sense of critical consensus here - everyone agrees that the similes are in some way absolutely essential to an understanding of this remarkable poem.
大家都同意中的诗意明喻,是和其他诗中的有所不同的,这是共识,-我将要向大家说明这一点,关于这点大家有决定性的共识,-大家都同意这些明喻某种程度上对于,理解这种异常卓越的诗是必然很重要的。
Just as Richards says, there's always something kind of archaic or atavistic about poetic thinking. It's not just that - it's not trying to tell the truth, as Sidney said-- "nothing lieth because it never affirmeth."
就像Richards说的,关于诗意的思考,总有些事情过时了,诗歌并非,拒绝陈述事实,正如Sidney说的-,“没有伪造的东西因为一切都不是真的“
They also gave him, as he put it, "stylistic arrangements of experience."
他们也给了他,就如他所说,诗意安排的体验“
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