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He serves as something like a complicated double for the young, unpublished, and as of yet unproductive poet himself.
他就像一个复杂的替身，是那些年轻的，还没出版诗歌或是不多产的诗人自己的替身。
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They show us a poet taking language apart and putting it back together in new ways, new configurations, new anatomies.
它们给我们呈现的是一个顾此即彼的诗人,以新方式把他所言重新组合，新的形态，新的躯体。
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In the second verse paragraph, Milton tells his father: "do not despise divine poetry, creation of the prophetic bard.
在诗的第二段，弥尔顿对他父亲说：,不要轻视神圣的诗歌，诗人预示性的创作。
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I was about to tell you last time about the poet Hesiod, who lived in a little town in Boeotia to the north of Attica.
上次我讲到,住在阿提卡北面小镇皮奥夏的诗人,赫西奥德
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He's been waiting and waiting for his season due so that he can ripen into a powerful Orphic poet.
他一直在等待着自己繁茂的年华,那时候他将成长为强大的俄耳甫斯式的诗人。
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All of the poets we read, even that New England hayseed, Robert Frost, begin their careers in metropolitan centers, primarily in London and New York.
我们阅读过的所有诗人，包括新英格兰的乡巴佬弗罗斯特，在大都会的中心开始了他们的职业生涯，首要的是伦敦和纽约。
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I think we're taken aback here. We're taken aback by the rude interruption in the otherwise seamless flow of the poet's lament.
在这点上我们被震惊了，被这种粗鲁的打断深深震惊了,否则诗人的悲叹将会天衣无缝的流畅通顺下去。
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So according to John, the presumed author of Revelation, it's not poets who get to wed their songs to the soft voice streams.
据约翰所说，《启示录》的作者，估计不是那些致力于细声软语音乐的诗人。
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That's -- no sweat with that one! Milton wants to be a divine prophet like one of the great Hebrew poets of the Old Testament.
他--不要冒汗！，他想做《旧约》中,伟大的希伯来诗人那样的有神性的先知。
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This may seem to be a perfectly reasonable vision for a poet considering himself to be an inspired poet to have, but there's something peculiar here.
这对诗人是一个非常好的幻景,把自己看做是一位有灵感的诗人，但这儿还有些怪异的事情。
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He was a poet who died before he could take up his career, and it's not unlikely that -- he wasn't married - that he was also a poet who died while he was still a virgin.
他是个事业还没起步就死了的诗人，并非不可能--金还没结婚,-他还是个未失童真就死了的诗人。
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Now in Virgil's early poem, the Sixth Eclogue, the speaker explains that the writing of pastoral poetry is the stuff that young poets do.
在维吉尔早期的诗篇里，诗人解释道,田园诗歌的创作是年轻诗人的必经之路。
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Like the furious Bacchae, the furious Atropos emasculates the man who dares to aspire to poetic greatness.
正如愤怒的酒神女伴一样，愤怒的特洛波斯阉割了,这希冀成为伟大诗人的人。
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By becoming a poet for all sorts and kinds, Frost intends, as he says, to arrive "where I can stand on my legs as a poet and nothing else..."
通过成为所有类型的人的诗人，他想像他说的,“在他站立的地方都被尊称为诗人而不是其他“
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Milton has just been lamenting the fact that the laborious days of the poet might not result in a sudden blaze of fame.
弥尔顿正在为寂寂无名的诗人的,艰苦的生活而悲叹。
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The blind poet calls on the Holy Spirit to assist him in the composition of the epic.
这位失明的诗人请求神灵帮助他,完成史诗。
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And this is related to Yeats's idea that the poet and this is something he wrote about in the prose that the poet is more type than man.
这和叶芝关于诗人的观点,他在一篇散文里提到的,诗人更多是形象而不是个人。
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The chaste poet was unable to pass uninjured in that wild surrounding waste. This violence was so terrible that not even his mother, the muse Calliope, could save him.
这端正老实的诗人无法在这野蛮的进攻中,全身而退，巴克坎忒斯的暴行是如此可怕,就连俄耳甫斯的母亲，身为缪斯之一的克莱俄帕也救不了他。
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This is 1913, Pound in London, styling himself, isn't he, after those Renaissance artists and poets whom he would write about, translate in this period.
这是1913年庞德在伦敦，图如其人，不是吗？,这是在他所要写到的那些文艺复兴时期的艺术家，和诗人的思想被很好的表达出之后拍摄的。
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Power is a conceptual category that Milton brooded on and cultivated his entire writing life. From a very early age, Milton nursed the image of himself as a powerful poet.
米尔顿终其写作生涯都在思考，创建,力量这一概念范畴，还在很小的时候，米尔顿就开始把自己想做是一个强有力的诗人。
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The poet's fingers by the end of Lycidas aren't forced or rude.
在的最后，诗人的手指并没有紧扣着。
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The Death of the Hired Man," "Home Burial," "A Servant to Servants," these are poems in which Frost is giving New England workers the language of the great English poets.
雇佣者之死“,“家冢“,“仆人的仆人“,这都是弗罗斯特给新英格兰工人的诗,伟大的英国诗人的语言。
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You have the image of the cutting off, the castration, of the power of generativity. All poetic potency, all power to assert oneself in the world, can be severed and that's it.
有阉割，切除繁殖能力的，的形象，诗人的所有能力，所有能居于世上的力量都可以被剥夺，就是这样。
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It's a sacrifice on our poet's behalf.
对我们的诗人来说那是一种牺牲。
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Now I am mentioning these dates here because the dates on which Milton wrote and published his poems, the temporal sequence of these publications, have a peculiar and particular importance for the poet.
我为什么要在这里提到这些日期,因为创作和出版诗的日期，和当时的顺序，对一个诗人有特殊的重要性。
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He is a poet from another century.
他是来自另一个世纪的诗人。
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