Every major African-American poet and writer and artist from frankly the mid-nineteenth century on has always been reflecting on this nexus of North and South.

大约十九世纪中期以后的,每一位主流的非裔美籍诗人,作家或艺术家,都一直在探讨南北关系的问题

耶鲁公开课 - 美国内战与重建课程节选

That's some sense of the spectrum of magazines that are coming out, and all with different roles to play in this culture and that position their writers and poets and artists associated with them in different ways.

对于设定即将出版的杂志的基调，以及它们在文学发展中扮演的不同角色,作家诗人和艺术家们以不同方式与之相连的地位,都具有一定的意义。

耶鲁公开课 - 现代诗歌课程节选

Reference he makes to a comic poet yes a comic poet an unequivocal reference to the playwright Aristophanes whose name I have put up on the board.

他提及一名喜剧诗人，没错,一名喜剧诗人，且是毫不含糊的,提及喜剧作家亚里斯多芬尼斯,我也有把他的名字写在黑板上。

耶鲁公开课 - 政治哲学导论课程节选

One of the best descriptions I've ever read of why slavery persisted, of why people defended it, and why people went to war for it, came before the war, in 1857, in a speech by the African-American woman, novelist, writer, poet Frances Ellen Watkins Harper.

我曾读到的一段比较精彩的论述,关于为什么奴隶制度留存了下来,为什么人们为其辩护,为其而战,在1857年,战争前夕,在一个非裔美国女人的演讲中,她是小说家兼作家兼诗人,弗朗斯·伊莲·瓦特金·哈伯

耶鲁公开课 - 美国内战与重建课程节选

If Milton as a poet who had never really published anything significant thinks of himself as a virginal writer, then there's an important way in which Milton loses his virginity with his published version of Comus in 1637.

如果弥尔顿作为一个诗人,或者作为一个童贞情节的作家,从来没有出版过任何自我思考的重要作品，那么就有很重要的一点,弥尔顿在1637年出版的《Comus》中失去了童贞。

耶鲁公开课 - 弥尔顿课程节选