Yeats, in "Adam's Curse," regrets that the beautiful is something to be labored for and he wants to conceal that labor.

他在亚当的诅咒中后悔地称,这种美值得为之劳累,他想隐藏这种劳累。

耶鲁公开课 - 现代诗歌课程节选

For a shirt verminously busy Yon soldier tore from his throat, with oaths Godhead might shrink at, but not the lice.

衬衫上满是虫,士兵用诅咒撕开他的喉咙,上帝可能会退缩而不是虱子。

耶鲁公开课 - 现代诗歌课程节选

So he curses existence, curses God at having made him so impotent that he can't change the fact that two plus two equals four.

所以他诅咒生存，诅咒上帝让他如此无能,无能到无法改变二加二等于四的事实。

耶鲁公开课 - 死亡课程节选

Let's take a look at the rhythm he associates with the damned.

让我们看看,他为诅咒之人写的节奏吧

耶鲁公开课 - 聆听音乐课程节选

You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal.

叶芝在他的诗歌亚当的诅咒里,谈论了他这一美学理想。

耶鲁公开课 - 现代诗歌课程节选

So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.

因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容

耶鲁公开课 - 聆听音乐课程节选