Yeats, in "Adam's Curse," regrets that the beautiful is something to be labored for and he wants to conceal that labor.
他在亚当的诅咒中后悔地称,这种美值得为之劳累,他想隐藏这种劳累。
For a shirt verminously busy Yon soldier tore from his throat, with oaths Godhead might shrink at, but not the lice.
衬衫上满是虫,士兵用诅咒撕开他的喉咙,上帝可能会退缩而不是虱子。
So he curses existence, curses God at having made him so impotent that he can't change the fact that two plus two equals four.
所以他诅咒生存,诅咒上帝让他如此无能,无能到无法改变二加二等于四的事实。
Let's take a look at the rhythm he associates with the damned.
让我们看看,他为诅咒之人写的节奏吧
You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal.
叶芝在他的诗歌亚当的诅咒里,谈论了他这一美学理想。
So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.
因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容
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