When this book first came out, critics called her a lightweight.

当她出版了第一本书时评论家们说她无足轻重。

耶鲁公开课 - 1945年后的美国小说课程节选

When they got them rejected it's because there's a conspiracy against them by jealous editors and reviewers.

当论文被拒绝时,那是因为有人要背后搞阴谋,那些编辑和评论员嫉妒他。

耶鲁公开课 - 心理学导论课程节选

Reading that comment that I'm sure I made, I realized what I probably should have said is that "I wasn't as prepared to teach them and as ready to encounter their difference as I probably should have been."

读到这个评论时，我知道是我说的，我意识到，或许我当时应该说,“或许我自己也并没有完全准备好教他们,并未准备好迎接学生的不同之处“,并未准备好迎接学生的不同之处“

普林斯顿公开课 - 人性课程节选

Many of the issues that I raised in talking about defining literature are as relevant for literary criticism as they are for literary theory, and yet we all instinctively know that these are two very different enterprises.

当讨论文学的定义时，我提出的许多问题,对于文学理论和文学评论都同样相关，但我们都知道,它们是两个不同的概念。

耶鲁公开课 - 文学理论导论课程节选

Of course--and you know this to be the case from like any literary critic who ever tried to write an analysis of anything, Chudleigh has no choice but to nudge the lines that she's quoting out of context.

当然--你们写完英语系的论文,就像任何文学评论家尝试评论任何观点时，恰德莱不得不对她所引用的,弥尔顿的话断章取义。

耶鲁公开课 - 弥尔顿课程节选

You can see that when Wimsatt and Beardsley talk about the "success" of the poem, they understand the whole critical enterprise, - including its theoretical underpinnings-- the question of what is a poem, - the question of how should we best read it-- to be still geared toward literary evaluation.

大家应该发现，当文萨特与比尔兹利谈到,诗歌创作的“成功“一词时，他们完全理解了文学评论体系，这包括适用于文学评估的理论根基-,就是那些关于什么是诗歌，还有我们如何解读的问题-,这些都对文学评估很重要。

耶鲁公开课 - 文学理论导论课程节选