There's a lot of students. They know what they want.
这里有很多学生,他们知道自己想要什么。
That means that the different regulators should each have their own objective, so they have a three-part proposal.
也就是说每一环节上的,调控者都要有自己的目标,这个计划将分为三部分。
So each of these complex, multi-layered sources in each one of them you can find different layers each one possesses its own emphases, its own agenda, its own perspectives. Sometimes they complement one another.
因此每一个复杂多层次的来源,你可以在每一个中找到不同层面,每一个都有它要强调的东西,它自己的安排,及它自己的视角,有时候它们相互补充。
So once you look at Star Festival then you can think about the questions you have to answer and then question maybe the same thing I ask myself: who am I? While maybe some other questions.
所以当你看“七夕“的时候,你可以考虑你必须要回答的问题,这个问题有可能是我问自己的那个同样的问题:,我是谁?或者其它的问题。
It's the model of investment and profit that characterized so many of Milton's own early writings, including that promise, you'll remember, to his fellow Englishmen that he would one day produce a work of literature that his countrymen would not willingly let die.
这是一种投资模式和带有很多弥尔顿早期写作特征的收益,它包括了那个诺言,你们应该记得,那个诺言指他说有一天要为自己的追随者们写一篇文学作品,他的同胞们不希望这个诺言落空。
They should. They have their own role.
而他们应该,他们有自己的作用要发挥。
There is that desire much more explicitly in the writing of Jack Kerouac, the desire to replicate experience as you read, the feeling of having the experience that the writer wants you to have and that the writer himself has had.
这种渴望在杰克凯鲁雅克的写作中表现得更明确,在你读他书的时候,想要重新体验,作者想要你体验的那种感觉,作者自己也有那种感觉。
The problem was if you have a basically landlocked power and want to get to the sea, then you'd better have a navy.
问题是,如果你是一个强大的内陆国家,你想使自己的势力到达海洋,最好要有一支海军
We assume that unless we're dealing with Scheherazade, it has to have an end, but at the same time we might well ask ourselves, why does it have a middle? What is the function of the middle with respect to a beginning and an end?
而且我们认定一定会有结尾,除非讲故事的是那个,《天方夜谭》中的苏丹新娘,但是我们要问自己了,为什么故事一定要有经过呢?,故事的经过对于开头结尾来说起到什么作用呢?
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