So what we will be doing is differentiating pop from classical and also differentiating within styles of classical music.
那么接下来我们要做的是,区分流行音乐和古典音乐的差异,以及各种古典音乐风格之间的不同
And here I want to distinguish between the individual question about the inevitability of death, and the universal question.
在这里我要区分,死亡必然性的个人性,以及普遍性。
So notice already the parallels between the lower level details and now these higher level details, so to speak, of actually programming.
就是说,在实际编程中,要注意区分低层次的细节,和更高层次的细节。
We are not really like pinpointing one tradition... This is the part hard to draw lines.
我们并非要一对一地认定传统。,这正是难以区分之处。
You'll see why I'm going to make that distinction in a couple of lectures.
为什么我要把这个区分开来,好,那么这跟我的除数例子有什么关系呢?
Well, first there's a distinction, a distinction between real dreams versus sleep thought.
首先,我们要区分,真正的梦和半睡半醒的想法。
And so, they had to make a distinction.
他们必须要作出区分
Later, certain aspects of this convergence would be polemicized against, and rejected as a Yahweh only party sought to differentiate itself from those that it would now label as other, and call Canaanites, as distinct from Israelites.
后来,这个集合过程的一些方面又被争论,并且被否决,因为耶和华,只是唯一要将自己区分的一方,但它现在却被当作另一方,叫作迦南,与以色列完全不同。
What we've got here is the following, this idea of partials that Eva was talking about with ratios, two to one, three to two, four to three, five to four, six to five and so on, and the point here is that the way we differentiate between instruments.
接下来,我们要讲的是,伊娃刚谈到的泛音的高低比率,二比一,三比二,四比三,五比四,六比五,等等,这里我要讲的是,我们区分乐器的方式
Just like with a natural language, we're going to separate out syntax versus semantics.
就像自然语言一样,我们要去把语法和语义区分开来。
So, we might have to distinguish between any old accomplishment and genuinely valuable accomplishments.
所以,我们必须要区分,旧的成就和真正有价值的成就。
We then have to get down to facts about cases, try to describe the instance, perhaps somebody who's in the terminal stages of some illness where they're in a great deal of pain.
然后我们要区分各种情况,尝试描述某个特定的例子,也许某人在某种疾病的晚期,他们在承受巨大的痛苦。
And this is a point I want to stress here.
我想要区分浅意义上的相等,和深意义上的相等。
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