Yeats is, in fact, a far less nostalgic thinker than either Eliot or Pound, at least as I understand them.
其实叶芝不如,艾略特或庞德那么怀旧,至少我是这么理解的。
So I went to Douglas J., which is an Aveda institute, where you study aromatic kind of philosophies.
我去了道格拉斯J.的艾凡达学院,在那里学习芳香学。
Last time, I alluded to Yeats's involvement in the Abbey Theater, beginning in 1904.
上一节课上,我提到叶芝曾为艾比剧院创作,从1904年开始。
So, I went to work with Ev and Biz.
所以我去和艾夫与比孜一起工作。
That is a course that I like to teach, too; usually I teach Plato to T.S. Eliot or Plato to I.A. Richards or some other important figure in the early twentieth century.
这也是我喜欢教的一门课;,我通常教从柏拉图到T。S。艾略特,或从柏拉图到T。A。理查兹,或者其他20世纪初的重要人物。
Eliot was there, in that essay on the metaphysical poets that I'm quoting from, defending as necessary what is the primary characteristic, not only of his own poetry, but really of modern poetry generally, what is often called its difficulty.
艾略特在描写那些抽象派诗人的文章里,就是我引用的那篇,极力维护,诗人的首要特征,不仅是因为他自身的诗性,更因为维护现代诗歌的必要,这是非常困难的一件事。
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