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Copyright arose as a bourgeois idea. That is to say, "I possess my writing. I have an ownership relationship with my writing."
版权是中产阶级提出的思想，意思即是，“我支配自己写作，我对我的作品享有所有权“
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And I have to begin thinking in terms of how I'm going to present my work and myself.
我得开始思考如何展现我的作品和我自己了。
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You want to think about how much attention and primacy we should give to an author's statements about what her work mean--as readers.
对于作者对自己作品的阐述和说明,我们怎么注意,怎么给予优先度也不为过。
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We had this displayed in the hallway, so when it was Parents' Night, the kids were pretty proud of what they have done.
我们把它们展示在走廊里，这样一来，到家长日的时候，孩子们都格外为自己的作品自豪。
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Before you know it, they're going to be talking about their financial situation and how you fit into it.
不可避免的,他们会说到自己的财务状况,以及你是否适合在他们公司出版作品
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To so many readers it has seemed that Eve is actually quoting Milton's much earlier writing, Areopagitica, in her defense, and it has an incredibly unsettling effect. Evil has to be challenged.
对于很多读者，这似乎是夏娃引用弥尔顿,早期的作品《论出版自由》为自己辩护，这又造成了极大的混乱的影响，恶在这里被挑战了。
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it's interesting. I don't use much of that as inspiration for my own work,
很有意思。我在自己的作品中不常使用类似的灵感，
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Then on the other hand, my own writing and the discipline that writing takes if it is to be good and it's to be accurate.
另一方面，就是我自己的写作经历,还有写出好作品所需要的,那种精确准则。
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This is why in the last passage on your sheet from the interview with Stefano Rosso, de Man is willing to venture on a categorical distinction between his own work and that of his very close friend, Jacques Derrida.
那就解释了为什么在纸上的最后一段,选自斯蒂法诺，罗素的采访，德曼愿意在自己的作品与他的密友雅克，德里达的作品,之间一个绝对的差别上冒险。
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In other words, when you bite off your own project or when you start off by looking at someone else's projects, either that we looked at last week or some of the innumerable links we included in the specs, focus on just one piece of it, get that working, and then move on to the next.
换句话来说，当你开始着手去完成一件属于你自己的工程,或者，从参阅他人现在的作品，更或者是，参考工程设计书中,提到的无数链接，至关重要的一点是，你必须让它工作，然后再继续下一环节。
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And he says on page 884: A poet writes always of his personal life, in his finest work out of its tragedies, whatever it be, ; remorse, lost love or mere loneliness; he never speaks directly as to someone at the breakfast table there is always a phantasmagoria.
84页他说道：,诗人总写自己的生活，最好的作品总是悲剧，不管是后悔，失恋或孤独;,这是他不会在餐桌上讲的,总是有这样一种幻境。
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Actually, his death came rather suddenly and he was working on a requiem that someone had commissioned from him under rather mysterious circumstances and he began to think of it as his own requiem, and indeed, he didn't actually finish it.
其实,他的死来的比较突然,那时他正在谱写,由一个神秘人物委托的《安魂曲》,而且他开始把它当成了自己的安魂曲,而事实是,他其实并没有完成这部作品
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And also we're reading Herodotus's work itself and talking about that.
我们还读希罗多德自己的作品，并且探讨它们。
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The problem of memory is just as important to the psychological dynamics of the fall of Adam and Eve, but as we will see when we look at Book Four, surely it's the problem of the poet's memory that's the most troubling in Paradise Lost.
记忆的问题的重要性与,亚当与夏娃堕落后心里的变化相当，但是我们将在第四册书看到，确实是诗人自己记忆的问题,困扰着《失乐园》这部作品。
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He's postponing his publication because it's his job really to consider the master's great commandment all the more closely.
他推迟了自己作品的出版因为,他需要更准确的考虑主人伟大的戒律。
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How can Milton know that he was really and truly called by God to be a great poet until he writes something - it's not a bad question - until he has something actually to show for his talent?
弥尔顿怎么知道他是不是真的被,上帝选中了去做一个伟大的诗人,除非他真的创作出点儿什么--这是一个不坏的问题,-直到他真有可以证明自己才能的作品？
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And you're getting to see something like an intimation of John Milton the published poet, a poet whose energies are going to be directed toward making his poems public.
你们看到约翰·弥尔顿的一点暗示,这位出版作品的诗人,他的能量将完全花费在出版自己的诗篇上。
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Now I was going to put that text up on the board and, to be honest with you, I forgot to do that, so I'm going to have to see if I can remember this text: We're going to focus now on two sections of this work: the "Confutatis" And the "Lacrimosa dies illa."
现在我将要把歌词写在黑板上,老实跟你们说,我刚才忘了这么做,所以我得看看自己是否还记得歌词,我们将专注于这部作品的两个部分,《羞惭无地》和《落泪之日》
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Milton's looking in at his own work from a distance, according to Coleridge and then Hartman.
据柯勒律治和哈特曼所言，弥尔顿是遥远地从外俯视自己的作品。
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We're interested in hearing everybody on his or her own terms and letting those texts be.
我们感兴趣的是，听到每个人自己不同的主张,不论作品怎样。
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It's possible that in this general drama of overvaluation that Milton's working to distance himself from his own youthful interest in the virtues of virginity.
这是可能的，在被高估的戏剧中,弥尔顿的作品,让他无法投入到自己年轻时对贞操的兴趣中去。
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It's the model of investment and profit that characterized so many of Milton's own early writings, including that promise, you'll remember, to his fellow Englishmen that he would one day produce a work of literature that his countrymen would not willingly let die.
这是一种投资模式和带有很多弥尔顿早期写作特征的收益,它包括了那个诺言，你们应该记得,那个诺言指他说有一天要为自己的追随者们写一篇文学作品,他的同胞们不希望这个诺言落空。
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I have to tell you that Levi-Strauss, who is still alive, a very old man, expresses great bitterness in his old age about what he takes to be the displacement of the importance of his own work by what happened subsequently.
现在列维仍然在世，年事已高，晚年他表达了,自己对作品的重要性,后来被取代的痛苦。
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In other words, here is a moment when Levi-Strauss is admitting something about his own work which he is not admitting in his analysis of the Oedipus myth in the essay from Structural Anthropology that you read last time.
换句话说，在这里，列维承认了,关于自己作品的一些观点，而这些观点,是他在《结构人类学》中的那篇文章中,分析俄狄浦斯神话时所没有承认的,大家上次读过那篇文章。
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