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John Milton has made a mistake. He's made a literary mistake and, as I think all editors know, Spenser does not.
约翰·弥尔顿犯下了一个错误，他犯下了一个文学上的错误，而且我认为所有的编辑都知道，这个错误斯潘塞没犯过。
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Professor John Rogers: The best way, I think, to introduce the central issues of this wonderful poem, Lycidas, is to return to Milton's Comus.
约翰·罗杰斯教授：我认为，要向你们介绍《利西达斯》,这首精彩的诗的精髓，最好的方法莫过于，回顾一下弥尔顿的《科玛斯》
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Let me take you back to the seventeenth century, up to the very beginning of the literary reception of John Milton.
让我把你们带回到17世纪，约翰·弥尔顿刚在文学领域为人所知的时候。
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Now, probably the form of power that we most readily associated with John Milton involves his position at the dead center of the English literary canon.
我们最容易由约翰·弥尔顿,联想到的力量形式很可能,与他处在英国文学经典的中心位置有关。
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Professor John Rogers: Milton is typically cited by literary historians as one of the first major English poets to praise in verse the institution of marriage.
约翰·罗格斯教授：文学家们说弥尔顿,是英国早期诗人中,赞美婚姻制度的一员。
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For both John of the book of Revelation and for John Milton, it's the superior male of the species that's been singled out for the glorious practice of sexual abstinence.
对约翰的《启示录》和弥尔顿来说，是男人在人类中的优越地位,让禁欲的实行被挑选出来了。
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At the end of the loan upon your payment of the principal and of sufficient additional interest, John Milton, Sr., the goldsmith, would return to you the gold that you had entrusted to him.
在贷款期限到期时，在你支付了本金,和额外的利息后，金匠约翰弥尔顿会把你托付,给他的金币还给你。
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So we have to assume that the occasion for this poem is some kind of question posed by John Milton, Sr., a question like, "To what end am I supporting you, Son?
我们可以假定这个诗的起因是,老约翰弥尔顿问小弥尔顿，“我到底为什么要资助你，儿子？“
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He represents Cambridge University, the alma mater, where Edward King and John Milton had been students.
他代表剑桥大学，爱德华·金和约翰·弥尔顿的母校。
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John Milton will remain unique in English letters for the degree of thought that he gave to the shape of his literary career, or actually to the notion of a career at all.
约翰弥尔顿在英语文学方面的影响是十分独特的,因为他深刻的思想塑造了他的文学事业，或者说，塑造了他对事业的看法。
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And so in the case of A Mask here, it's the Lord John Egerton, the Earl of Bridgewater who commissioned Milton to write a piece honoring his own inauguration in his new role as the Lord President of Wales.
所以在《面具》这个例子中，是贵族约翰埃杰顿，布里奇沃特伯爵,指派弥尔顿去写一篇文章,来歌颂他掌管威尔士的就职典礼的。
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And you're getting to see something like an intimation of John Milton the published poet, a poet whose energies are going to be directed toward making his poems public.
你们看到约翰·弥尔顿的一点暗示,这位出版作品的诗人,他的能量将完全花费在出版自己的诗篇上。
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This is reading from the packet assigned for today, and I'm going to ask you to do what you can to get through the biography of Milton in the packet, as well as the notes on Milton's poetry that we have from Dr. Samuel Johnson.
这是今天发的阅读材料里的，我要求你们尽量把材料里的,弥尔顿传记读一遍，还有,塞缪尔·约翰生博士为弥尔顿诗歌做的注释。
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It actually, it's been shown, seems to foreshadow the political philosophy of Milton's much younger contemporary, John Locke -- the notion that nature demands that every human individual has just enough, is given just enough to be self-sufficient.
事实上这一论点似乎提前预兆了,比弥尔顿年轻许多的同代人，他们的政治哲学，约翰·洛克--他认为自然要求,每个自然人拥有足够自己使用的，每个人只得到足够自给的就够了。
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A writer like Mary Astell can employ Milton's revolutionary rhetoric to advance a cause to which John Milton himself would of course ; have had difficulty subscribing; a dead Milton could exercise a social power that had nothing whatsoever to do with the living Milton's own social views.
一个像玛丽·阿斯苔这样的作者可以用弥尔顿的革命性语言,来推动一项事业，一项约翰·弥尔顿本人当然很难,赞同的事业;,死去的弥尔顿竟然能够操纵与生前弥尔顿的社会观点,毫无关系的社会力量。
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There's a wonderful work of literary criticism -- I mentioned it last time --on Milton's indebtedness to Spenser in the book by John Guillory called Poetic Authority.
有一篇很棒的文学评论-,上次我提到了--关于弥尔顿对Spenser的感激,在约翰·久乐锐所著《诗人权威》中。
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So historians can and in fact have many times taken issue with a lot of Weber's historical claims. But he's invaluable, as the critic John Guillory has argued, for our purposes in the understanding of Milton and of a lot of the cultural business of the seventeenth century in general.
所以历史学家可以，事实上已经对韦伯的历史学断言,持反对意见，但就像评论家约翰古月里说的，对我们来说，在对弥尔顿以及很多,17世纪文化方面的事的了解上,他的意见是非常宝贵的。
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One is the chapter on Comus in a book by John Guillory called Poetic Authority, and the other is the entire book by Angus Fletcher on Milton's Comus, titled The Transcendental Mask.
一个是约翰古伊洛写的关于Comus的一个章节,叫诗的威信，另一个是安格斯弗莱彻写的一本研究弥尔顿的Comus的书，叫《超凡的》
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