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Milton anticipated and lovingly invested all of his energy in his future literary power and his future literary fame.
米尔顿预测到了他将来在文学领域的力量和声望,并且钟情的将他所有的精力投入到文学中。
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Not Milton himself would cry up liberty to poor female slaves or plead for the lawfulness or resisting a private tyranny.
即便米尔顿本人也不愿为那些女奴的自由所呼号,辩解，或是反对这种私底下的暴行“
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Individuals of heterodox belief but whose own views may stimulate others to question and think for themselves, all to the good, Milton, John Locke, people like Voltaire argued something like this.
如苏格拉底持非正统信念的个体,他们的观点,可能激励其它人反省,及内思，所有的好人，米尔顿，洛克及像伏尔泰等人,都做过类似的申辩。
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It's a little bit like Aristotle's idea of catharsis, which can be understood in a variety of ways, but Milton at the end of Samson Agonistes understands it in one way when he says, Now we have as a result of this tragedy "calm of mind, all passion spent."
这有点像亚里士多德的精神发泄法理论，我们可以通过各种方法来理解，但是米尔顿在《力士参孙》一书的结尾,有另一种理解，他写道，这个悲剧使我们拥有了,“平静的精神，耗尽的热情“
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.. And I begin by remembering... this is the way I begin most of my economic thoughts ...a conversation I had with Milton Friedman And Milton started with the position, first of all, what he wanted to do was decrease government spending.
我记得。,我习惯这么思考经济问题了,我记得曾和米尔顿·弗里德曼谈过一次话,刚开始，米尔顿的立场是，有一点先说明，他其实是希望,政府削减财政支出的。
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Historically, it has not been pleasure or wit or beauty that has been associated with the experience of reading Milton.
一直以来，人们阅读米尔顿作品的时候,感受到的都不是愉悦，机智，或者美好。
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And the violence, I think, of this reaction is due in large part to our tendency to think of Milton and of Milton's work in terms of the category of power.
之所以会有这么激烈的回应，我认为在很大程度上,是由于人们倾向于在力量的范畴,理解米尔顿和他的作品。
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Now readers of English literature talk about Milton very differently from the way they talk about other writers.
如今英国文学的读者对米尔顿的说法,与他们对其他作家的说法极为不同。
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It's practically impossible to begin a reading of Milton without the burden of innumerable prejudices and preconceptions.
想要不带大量的偏见或成见的解读米尔顿,几乎是不可能的。
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There's a real sense, I think, in which Milton wanted to re-create all of Western culture or to re-create all of Western culture in his own image.
我认为，米尔顿想要完全重建西方文化,或者说是按他自身的形象重建西方文化,是有切实意义的。
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And readers of Milton ever since have had to confront not just Milton's writing but this unspeakable sense of empowerment that underlies just about everything that Milton writes.
自那之后，米尔顿的读者们面对的就,不仅是他的作品，还有这种难以言喻的充满力量的感觉,这种感觉暗含在几乎米尔顿的一切写作中。
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He can be called upon in fact exactly as he is by Lady Mary here.
正如这里玛丽夫人援引米尔顿一样。
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Milton, in fact, soon goes on in Paradise Lost - right after this very passage that she cites, Milton the narrator berates Adam for his overvaluation of his wife through the character of the Archangel Raphael.
实际上，弥尔顿紧接着就在《失乐园》中,-紧接着恰德莱引用的这一段后面，米尔顿这个叙事者通过大天使拉斐尔这个角色,批评了亚当，批评他高估了他妻子的地位。
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We remember that Milton's anonymous attacker in 1642 had not only claimed that Milton could be found skulking around the back alleys of London's brothels he was a denizen of London's playhouses.
我们记得，在1642年2,一个米尔顿的匿名攻击者声称,可以在伦敦的妓院后巷看到米尔顿在躲躲闪闪,他是伦敦剧场的常客。
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Milton's reputation always precedes him.
米尔顿的名声总是将他本身掩盖。
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And I think it's a measure of the power of Milton's anti-tyrannical language that it can be used against Milton himself.
我认为这种米尔顿的反暴政语言之力量的,衡量标准可用于弥尔顿自己身上。
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And the reasons for this coupling of the name Milton and of this idea or the metaphor of power, I think, are worth looking in to.
我认为，人们之所以将米尔顿这个名字,与力量这个概念配对的原因是值得研究的。
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But in our collective cultural consciousness, if there is a such thing, whether we like him or not we tend to think of John Milton as powerful.
如果说我们有一种集体文化意识的话，在这个意识里，不管我们喜不喜欢米尔顿，我们都会认为他是强大的。
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But Astell resents, of course, Milton here, and what she resents is the limitation of his subversiveness.
但很显然，阿斯苔对米尔顿也有反感，她反感的是弥尔顿的颠覆的局限性。
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Power is a conceptual category that Milton brooded on and cultivated his entire writing life. From a very early age, Milton nursed the image of himself as a powerful poet.
米尔顿终其写作生涯都在思考，创建,力量这一概念范畴，还在很小的时候，米尔顿就开始把自己想做是一个强有力的诗人。
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The Nativity for Milton is purely an anticipatory event.
圣诞清晨歌》这首诗对米尔顿来说就是一个预言。
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There's a small group of writers whose work is pure, uncontaminated, sexless as the angels are said to be sexless and Milton is their leader .
有这样一小群作家,他们的作品,是纯洁的，无暇的，如天使般丝毫不辨性别 ,而米尔顿便是他们的首领。
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So I've given this first lecture a title, the title being "Milton, Power, and the Power of Milton," because any introduction to Milton has to confront the long-standing conviction in English letters of Milton's power or his strength as a poet.
所以我给这第一场讲座起名叫做，米尔顿，力量，以及米尔顿的力量“,因为只要要介绍米尔顿，就无法绕开,米尔顿作为诗人的力量,这一英国文学一直以来的话题。
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By the end of his life, though, Milton would in effect try to rewrite everything.
但到米尔顿生命的最后，他其实是想重写一切的。
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Professor John Rogers: For a vast number of complicated reasons, Milton has invited for 350 years now a uniquely violent and I do think it's a violent response to the particular question of his value as a poet.
约翰·罗杰斯教授：350年来，由于很多复杂原因，对于米尔顿作为一个诗人到底有何巨大意义,人们的反应一直都很激烈,我确实认为是很激烈的反应。
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Regardless of what we think of the success of that example or of the appeal of the attempt to do such a thing, the amazing thing, I think, is that Milton felt so empowered even to embark on such an enormous project.
他的重建是否成功了我们姑且不论,也不说我们对他的这个雄心作何看法，我认为，不可思议的是，米尔顿觉得自己是如此有力量,他甚至真的开始了这样一项宏大的工程。
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In Milton's case this investment in power paid off.
米尔顿对力量的投资获得了报偿。
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And finally, and probably for Milton most important, ; Milton wrote a theology, inventing in effect his own religion; and Milton's Protestantism looks like no one else's, before or since.
最终，或许这对米尔顿来说是最重要的，他写了一部神学，相当于创建了自己的宗教;,米尔顿的新教教义是前无古人后无来者的。
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