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Milton's Lady doesn't proceed as we expect her to, to marshal further arguments for the moderate fulfillment of one's conjugal obligations.
弥尔顿笔下的女士没有按我们期望的那样进行，整理有关人们适当满足婚姻权利义务,的进一步论点。
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Standing in the Lethe of Milton's hell is none other than the classical figure, the figure from classical mythology, Medusa.
站在弥尔顿笔下的忘川河畔正是,那个源自神话的经典人物美杜莎。
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The Hobbesian citizen is not likely to be a risk taker, like a George Washington or an Andrew Carnegie.
可以这样说,霍布斯笔下的公民是不可能做冒险家的,就像乔治·华盛顿和安德鲁·卡内基一样。
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And so--like the chainlet--it takes that stone-like distillation of life, turning rain to stone, turning life to the representation by your tormentor.
就像那条链子，它提取了,生命中如磐石般不朽的精华，将雨水变成石头，将生命变成,折磨你的人笔下的画像。
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Things are either pleasant or unpleasant. The good, on the contrary, - is the way in which our cognitive and moral faculty-- which Kant calls "the reason"--understands things.
事情总是有好有坏，但只有好的东西才能被我们的，感官和道德感-,也就是康德笔下的“理性“，所认知。
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Now that ignorance that I'm describing, what Wordsworth called "wise passiveness", ; what Keats described as "negative capability"; the great argument for it is very simple.
我所谈到的这种无知，华兹华斯笔下的，被动的聪悟，济慈描述的，自我否定力;,这背后的道理一点也不复杂。
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The Northern Kingdom Israel is going to come in for very, very bad press at the hands of the Deuteronomistic writers which shows that they probably favor or come from Judah So the northern kings are going to be uniformly denigrated.
北方王国以色列将会进入,一个非常坏的形象，在《申命记》作者的笔下,这表明他们可能喜欢或者来自于犹大,那么北方的国王们就全部都被诋毁。
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But I have a favorite line in his novel called The Hamlet, where Faulkner has one of his characters say, and I quote: "Only thank God men have done learned how to forget quick what they ain't brave enough to cure."
但我最爱他在小说《村子》里的一句话,他笔下的一个角色说道,"感谢上帝,让人类学会了怎样,迅速的忘记那些我们没勇气面对的事"
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Tolstoy's Ivan Ilyich is surprised to discover that he's going to die.
托尔斯泰笔下的Ivan，Ilyich发现自己要死时。
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It's the passage from Spenser's cave of Mammon canto that describes this same scene of violation, the violation of mother earth.
这是斯潘塞笔下描写贪神之洞的长诗的篇章,它描述了对于大地母亲粗暴冒犯的场景。
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Like Milton's Sin, Spenser's Errour is half woman, half serpent, and in a lot of ways she embodies the very problem of religious error.
像弥尔顿笔下的罪恶之神，斯潘塞笔下的“错误“是一位，一半女人一半毒蛇的怪物，她从各个方面具体化了宗教错误。
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In the Beginning" can modify the verb "taught" as easily as it can the verb "rose." It can either verb assume, just as Milton's angels can "either Sex assume."
最初“还可修饰动词“宣讲“,也可修饰动词“生出“，它可修饰任意一个动词，正如弥尔顿笔下的天使可以“化男作女“
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Now in 1644 when he wrote the Areopagitica, Milton may have forgotten that Spenser's Guyon did in fact descend in to hell without the help of his teacher, the palmer.
644年他在《论出版自由》中写道，弥尔顿可能忘记斯潘塞笔下的盖恩事实上是在,没有自己的老师朝圣者的帮助下进入贪神之洞的。
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Later political theorists, like Jean-Jacques Rousseau and Nietzsche would even develop a word for Hobbesian man.
稍后时代的政治理论家，如卢梭，尼采,给霍布斯笔下这样的公民取了个名字。
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The type of individual he tried to create, careful, self-interested, risk averse, this has become ? the dominant ethos of our civilization, has it not?
因为他笔下的个人主义，如强调个体利益，风险回避等,已经成为我们文明的主导精神，不是吗？
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We have all become, whether we choose to admit it or not, Hobbesians.
不管你信或是不信，我都得说我们已经成了霍布斯笔下的那种公民。
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In that respect, it has a kind of priority over the hells or the underworlds of Homer and Virgil.
在这一点上，它优胜于荷马与维吉尔笔下描绘的,那些地狱或阴间。
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It's Milton's Satan who best prepares us - I'll throw this out here at the end of this lecture - who best prepares us to explore what we can think of as the labyrinth of Miltonic power.
是弥尔顿笔下的撒旦,-本课最后我想告诉大家,-是撒旦为我们探寻如迷宫般复杂神秘的弥尔顿的力量,做了最好的准备。
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Now Spenser's hero in Book Two of the Faerie Queene is Sir Guyon, and Sir Guyon descends into Mammon's Cave - it's a Spenserian underworld - and it's in Mammon's Cave that he is tempted by the money god himself.
斯潘塞在《仙后》第二册中的英雄是盖恩先生，盖恩下到贪欲之神的洞穴中,这是斯潘塞笔下的地狱,就在贪欲之神的洞穴盖恩被贪欲之神诱惑了。
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They're not actually present in the real world of Milton's hell, or if it's a pagan god who's mentioned, Milton will tell us that the pagan god was just an early manifestation of one of the fallen angels.
事实上他们没有在弥尔顿笔下的地狱中出现，或者作为异教的神被提及，弥尔顿将告诉我们那些异教的神只是堕落天使中,一名天使早期的表象。
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There is a kind of internal irony here, I think because Hobbes sometimes writes as if, as we've seen, as if human beings are nothing more than complex machines that mechanically obey the laws of attraction and repulsion.
但我想这儿似乎存在着一种讽刺,因为霍布斯笔下的人，似乎就只是一具复杂的机器,只知机械地遵循法律所允许和不允许的事,这点我们在前面已有所耳闻。
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As he puts it in the dedication of his most famous book, he writes that this book The Prince "is a product of long experience with modern things " and a continuous reading of the ancient ones."
从而催生出,他最呕心沥血的大作，他笔下的《君王论》,“是一部,对现代事物长久体验,与持续阅读古籍的结晶“
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