If you look at page 62, it's in these little stories: Remi woke up and saw me come in the window.

看第62页，在这些小故事里就有：,雷米醒来看见我在窗前。

耶鲁公开课 - 1945年后的美国小说课程节选

But I would suggest to you that home is absolutely crucial to the production of this desire. And I want to point you to page 26.

但我还是会建议你们家对于追求的成果,是至关重要的，看第26页。

耶鲁公开课 - 1945年后的美国小说课程节选

Now the first passage is in Gadamer's text on page 735, the very bottom of the page, and then I'll be going over to page 736.

现在我们要看的第一篇文章是伽达默尔写的,在第735页最下面，一直到736页。

耶鲁公开课 - 文学理论导论课程节选

I'm going toask you to look at line300 of Book One, page219 in the Hughes.

看一下卷一的第300行，休斯版的219页。

耶鲁公开课 - 弥尔顿课程节选

Let me just demonstrate the litany of pie. Okay, page 15.

让我来展示一下这冗长的派，看第15页。

耶鲁公开课 - 1945年后的美国小说课程节选

Look at line 910. This is page 111 in the Hughes.

看910行，在休斯版本的第111页。

耶鲁公开课 - 弥尔顿课程节选

Look at line 852 of Comus.This is page 110 in the Hughes.

看《科玛斯》第852行，在休斯版本的110页。

耶鲁公开课 - 弥尔顿课程节选

Look at line 1003; it's on page 113 in the Hughes.

看第1003行，在休斯版本的113页。

耶鲁公开课 - 弥尔顿课程节选

You might think of walking in here expecting Professor Hungerford on censorship and getting me instead. But this is a very important idea for Nabokov both as a way of treating predecessors and as a way of writing. And I want to show you that way of writing very early in the book on page 10 now. Let's take a look at that.

你们可能期待亨格福特教授走上讲台,取代我讲审查制度，但这对纳博科夫而言,是非常重要的对待前辈和写作的方法,接下来，我将向你们展示,他的写作风格，在这本书的很前面，第10页，我们一起看一下。

耶鲁公开课 - 1945年后的美国小说课程节选