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Notice something about all of those figures: Shakespeare is preoccupied with figures who may or may not be crazy.
看一下这些人物：,莎士比亚专注于疯了或者没疯的人物。
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So it's built only a few metres away from the site of the original Shakespeare Globe of the 1600s.
它建在离十七世纪修建的莎士比亚环球剧院几米之外的地方。
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And so he's able to bear a rich extensive body of materials to talk about Shakespeare with the students.
所以说他收集了丰富的广泛的,材料来与学生讨论莎士比亚。
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This is the verse form, you'll recognize it, in so many of the long speeches of characters in the plays of Marlowe and of Shakespeare.
这就是你们经常在马洛和莎士比亚戏剧中的,角色的大段独白中看到的诗体。
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With a plot furnished by Homer, against a setting by Dante, and with characters motivated by Shakespeare, Ulysses is really not as difficult to comprehend as critics like to pretend."
荷马设置的情节，但丁提供的背景，莎士比亚推动的角色，《尤利西斯》真的不像,评论家鼓吹的那样难懂“
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When you talk about something like the Shakespeare canon, the canon of Shakespeare or the canon of great Western Literature that's actually using the term in a bit of an expanded sense.
当你谈到莎士比亚经典，或者伟大西方文学的经典时,那是该词的广义用法。
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So things you should do in life: read Shakespeare and see a soccer game.
你这辈子该干的两件事是,读莎士比亚的书还有去看场足球比赛
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I think the sort of skepticism I mean arises from what one might call and what often is called modernity not to be confused with Modernism, an early twentieth-century phenomenon, but the history of modern thought as it usually derives from the generation of Descartes, Shakespeare, and Cervantes.
我所说的怀疑主义,产生于我们通常说的现代性,不要与20世纪早期的，现代主义搞混了，现代性是现代思想的历史,始于笛卡尔，莎士比亚和塞万提斯一代。
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you have a big exhibition about the plays and the life and the times of William Shakespeare.
可以看到一个大型的关于威廉•莎士比亚的戏剧、生活和时代的展览。
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Dante and Milton had mythologies, Shakespeare the characters of English history, of traditional romance is more type than man, more passion than type.
但丁，弥尔顿，莎士比亚写神话,英国历史，古典爱情的人物,是激情而非类型。
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Anyone can appreciate The Simpsons but I think it does take education to appreciate Shakespeare as much.
任何人都能看懂《辛普森一家》,但是我认为确实需要教育,才能理解莎士比亚的作品。
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The last big thing I did was working at Shakespeare's Globe
上一件我做过的大事是我在莎士比亚环球影院工作，
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and enjoy reading a Shakespeare play or seeing a Shakespeare play,
并且喜欢上阅读或者观看莎士比亚的戏剧，
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so I started out with Shakespeare in the morning,
早上，我先学习莎士比亚的戏剧，
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So what he has created is a highly linked set of Materials that conserves the foundation for a Very different discussion that would normally Go on in a Shakespeare course.
所以他创建的是一个联动的,一系列资料，这些可以作为莎士比亚课堂上,很不一样的讨论的基础,继续讲莎士比亚。
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Thou does make us Marble with too much conceiving," Milton had told Shakespeare in that poem.
你把我们变成了一个有太多设想的石头“,弥尔顿在这首诗中这样告诉莎士比亚。
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Shakespeare presents himself as something like a powerful temptation in this mask.
莎士比亚,把自己当作像面具里的一个强大诱惑。
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you have to learn at least one of Shakespeare's plays, I think.
你必须学习至少一部莎士比亚的戏剧，我觉得。
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I love writing, sorry, I love teaching Shakespeare as well.
我喜欢写作，不好意思，我也喜欢教莎士比亚的作品。
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This is blank verse; ; it's the language of Shakespeare; it's the language of Milton.
这是无韵诗;,莎士比亚的语言;,弥尔顿的语言。
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But like, someone has to tell us that Shakespeare was this great writer.
但必须有人教导我们,莎士比亚是位伟大的作家。
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Joe, so if you had to spend the rest of your life on a farm in Kansas with only Shakespeare or the collected episodes of The Simpsons, you would prefer Shakespeare?
乔，所以如果你只能在堪萨斯农场里,带着莎士比亚的作品,或《辛普森一家》全集，共度你的余生，你会选择莎士比亚？
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Now we've been charting for a couple of weeks now Milton's long-standing project to purge his lips of secular interests and to cleanse his literary consciousness of the tempting influence of secular literary voices, and one of those voices is obviously Shakespeare's.
现在我们已经讨论了几个星期了,弥尔顿长期坚持的项目像净化世俗利益,净化世俗的文学看法的影响,对他文学意识诱惑，其中有一个看法显然是莎士比亚的。
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But the standoff between Milton and Shakespeare, much like the standoff between Comus and the Lady, is not as easily resolved as it might seem to be.
但弥尔顿和莎士比亚之间的对峙，更像Comus和小姐之间的对峙，是不易解决的，因为它看起来如此。
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And so it's an understandable ploy on Milton's part that he needs to vilify Shakespeare by identifying that great poet, his older contemporary, with Comus.
所以就弥尔顿而言，是一个可理解的事,他需要通过认同那伟大的诗句来贬低莎士比亚，用Comus来压倒比他年纪较大的同时代人。
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The Lady in Milton's mask is placed in a similar predicament by the Shakespearean power of Comus.
弥尔顿面具里的小姐也同样处于这样的困境,在莎士比亚对Comus的影响力下。
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It's the speeches of Comus far more than those of any other character that are filled with echoes and allusions to the great plays of Shakespeare.
和其他角色相比，是Comus的讲话,有很多模仿和典故来自莎士比亚的伟大戏剧。
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and I had to insult him in Shakespearean English. I said,
而且我不得不用莎士比亚英语侮辱他。我说的是，
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Those are the categories of value that we tend to associate or to affiliate with our other favorite writers, writers as diverse as Shakespeare and Virginia Woolf, for example.
我们往往将这类正面的感受,与其他一些喜爱的作家相联系，这些作家千差万别，例如莎士比亚和佛吉尼亚·伍尔夫。
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That is there is no single a heartedly version of Shakespearean plays.
莎士比亚的戏剧,没有一个固定的版本。
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