-
This is the modern city, not as a scene of fragmentation or despair, but rather a place of ascent and aspiration.
这是一座现代化的城市，并不是破碎或绝望的场景，而是一座在上升的渴望之城。
-
It is the most amazing image because amidst of all this chaos, is this image of someone sitting there, breathing.
那是最神奇的场景,在众多喧哗中，有人静坐呼吸。
-
It's the passage from Spenser's cave of Mammon canto that describes this same scene of violation, the violation of mother earth.
这是斯潘塞笔下描写贪神之洞的长诗的篇章,它描述了对于大地母亲粗暴冒犯的场景。
-
And we get such a dramatic vision of that in the next episode that follows, the episode of the kitten.
下面关于小猫的那里,有个令人难以忘怀的场景。
-
I love reading these particular stories, and just hearing the dialogue between them, and imagining it, because the two of them alternate in losing patience with the Israelites, and wishing to throw them over.
我喜欢读这些特别的故事，读他们之间的对话，想象那个场景，因为他们两个轮流对犹太人,失去耐心，想放弃他们。
-
The scripts are in the middle, the sprites are on the right hand side, so when I have the stage selected at the moment, I'm seeing the script that are associated with sort of the whole program itself, the so called stage.
这些脚本在中间,这些精灵都在右边，当我们选择了某一刻的场景,我们就会看见与整个方案相关联的,脚本，这就是所谓的场景。
-
And again, Kafka invites us to imagine waking up into a body of a cockroach and we can.
这里,卡夫卡再次带领我们去想象,一觉醒来却变成一只甲虫的场景,而我们是可以想象到的
-
So technically, if you ask what does the velocity stand for-- Let me draw a general situation.
从学术角度来说,如果你问速度表示什么,那让我来给你画一个常见的场景
-
Such a sight should send a thrill of horror through the nerves of civilization and impel the heart of humanity to lofty deeds.
如此场景,撼动着人类的文明,鞭笞着人们追求高尚的心灵
-
Just before the death scene, there's a long myth, which I draw your attention to but I don't want to discuss in any kind of detail.
我想让你们注意,在这个死亡场景之前,有一个古老的传说,但我不想去讨论任何的细节
-
It takes place in post World War II Vienna.
场景发生在后二战时期的维也纳。
-
This then leads to a very different discussion because A play is not a piece of text. A play is a living thing That is meant to be performed by actors in a particular setting. Different actors with different directors interpret the words of Shakespeare to the best. We can construct those words differently.
这引起一场很不同的讨论,因为一部戏剧不是一篇文章，而是活物,是要被演员在特定的场景下,表演出来的，不同的演员,和导演尽可能去诠释莎士比亚的文字,我们可以以不同方式建构这些文字。
-
And so what I'm going to do is just now run through the next two or three scenes and talk about why they're set next to each other.
因而我现在只是讲一下,接下来的两三个场景,并谈谈他们被放在一起的原因。
-
This moment is also striking because Milton has lifted this entire scene of this interruption from somewhere else.
这一刻给人印象深刻,也在于弥尔顿从别处完完整整地,将这段打断的场景借鉴而来。
-
I want to now move down a little bit and observe how landscape is presented to us.
现在我想往下看一点,观察一下四周场景,是怎样的呈现给我们的。
-
There is a kind of drum beat of thematic material as these scenes pile up.
剧情在不断变换,的场景下不断上演。
-
She's seducing him in this scene, so the flourish passes from his prose.
在这个场景中，她在勾引他，他的语言因此显得戏剧性。
-
These are dramatic spaces. Moreover, the bathroom: completely a dramatic space.
这些就是戏剧化的空间，还有，浴室：,完全就是个戏剧化的场景。
-
Later writers take this poetic image and fill out the allusion to - drowning in this ancient song, and compose the prose accounts in Exodus 14, in which the metaphor is literalized.
随后，作者利用这个场景,用这个古老的歌谣进行影射，创作了这一段白话诗,《出埃及记》14，在这段文字中的暗喻被文学化了。
-
Well, apparently Richard in real life did not refuse to make those changes. And imagine, in a book that then undergoes this publishing history that I have described, this is kind of a symbolic scene.
很明显，现实生活中的理查,并没有拒绝那些修改,想像一下，经历上述出版过程的一本书，这是象征性的场景。
-
in his great depiction of hell in Books One and Two) to avoid the standard epic scenes of the torture of the damned, for example, with which we're familiar if we've read Homer or Virgil or, of course, Dante much later.
在他第一和第二册书对地狱的精彩描述）,去避免提及传统史诗中关于恶者被折磨的场景，例如我们所熟悉的那些场景,如果我们读过荷马的，维吉尔的，当然还有但丁的作品。
-
The question of survival can be asked about that very simple case.
对于这个非常简单的场景,我们可以问生存的问题。
-
And the butterfly does appear in just one moment, and it's during the tennis scene. As Humbert and Lolita play, there is one butterfly that flits between them. It's a mark of their equality as artists in that moment.
那蝴蝶曾经在短短的一瞬出现过，那是,在那个打网球的场景里，当亨伯特和洛丽塔打球的时候，一只,蝴蝶从他们中间飞过，它标志着他们在那个时刻是艺术家。
-
So you can see that the trial of Socrates the little speech that you have read takes place in the shadow of military defeat of resistance of conspiracy and betrayal.
所以你可以看到苏格拉底的审判,你们所读到的简短演说,发生时的场景是笼罩在军事败北,抵抗，阴谋与背叛的阴影之中。
-
So, here's what the baby would see.
这是婴儿所看到的场景
-
It takes place in small rooms. If you begin to think about it, you can almost see the set changes: in the diner, on the train station. That's about the most open place, on the train platform. That's about the most open place we see.
在很小的空间里发生，如果你们开始思考它，你们几乎能看到场景的改变，晚饭，在火车站，那算是最室外了，在火车的月台上，那也算是最室外了。
-
The work is not, in a sense, written simply as a sort of timeless philosophical treatise, but as a dramatic dialogue with a setting, a cast of characters and a firm location in time and place.
但本书的著作目的，不仅是,永恒的的哲学论述，更是戏剧性的对话，内含场景，人物,及一个确切时间与位置。
-
And so, in addition to philosophical arguments for and against the existence and immortality of the soul, we end the dialogue with a quite moving death scene, one of the great death scenes, if we could call it that, of western civilization.
所以,支持和反对,灵魂的存在与不朽的论证,以一个感人至深的死亡场景告终,这简直就是西方文明史上,最伟大的死亡场景之一,如果我们可以这样说的话
-
So, let's begin with another of those scenes on 213 that Nabokov points out to us, the Kasbeam barber. Why did it take him a month to come up with the Kasbeam barber? What's going on in this tiny snippet that's so important? So here it is.
那么，我们从213页纳博科夫向我们指出的另一个,场景开始：理发师加斯比姆，为什么他花了一个月的时间,来创造理发师加斯比姆的形象呢？这个小片段里,发生了什么重要的事情呢？我们来看这里：
应用推荐