The pastoral elegy is clearly one of the most stylized and most self-consciously artificial of all of the poetic genres.
田园挽歌明显是所有诗歌类型中,最程式化,最具人工雕琢痕迹的诗种之一。
The first sentence of your passage: "There is no art but one delivered to mankind that hath not the works of nature for his principal object."
你们篇子上的第一句话:,“只有一种艺术,当它传播到人间时,不带有自然的痕迹“
They throw heraldry, they throw every kind of vestige of Old World culture and monarchy and aristocracy and civilization.
他们抛掉了世代相传的家徽,抛掉一切来自旧文明,和旧君主政体的痕迹,抛掉了贵族政治和文明
Virtue is to be fought for and raced for, not without dust and heat.
美德是要竞争和奋斗的,没有痕迹和温度。
I don't see dinosaurs, but of course they leave traces behind in fossils.
我没见过恐龙,但是无疑的,他们留下了化石这样的痕迹。
Feet, of course, has a lot of meanings, and Milton's poetic feet, the material of the verse written in six and eight and ten syllables in this poem, are also in 1634 printless -- they're unpublished.
双脚,当然有很多意义,而弥尔顿富有诗意的双脚,这首六,八,十音节的诗,在1634年也是不留痕迹的--因为那时候还没有出版。
It is a bleeding or spilling into successive signs in such a way that it perpetually leaves what Derrida calls "traces." That is to say, as we examine the unfolding of a speech act, we see the way in which successive signs are contaminated.
它渗入或涌入一系列符号之中,并且永恒地留下了德里达所说的,“痕迹“,也就是说,如果我们研究言语行为,我们就能看到连续的符号被污染的方式。
When Comus is first performed, Milton's poetry hasn't yet been printed, but it's almost as if Sabrina seems to have died printless or unpublished so that Milton wouldn't have to.
当科玛斯首先完成后,弥尔顿的诗篇还没有印刷,但是,就像Sabrina要不留痕迹的死去或出版,所以弥尔顿不会那么做。
Can't be detected in terms of its... It doesn't leave traces behind.
检测不到。,是因为它没留下任何的痕迹。
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