I approach it the way a few other philosophers do in a way that is characteristic of conceptual analysis.
我研究电影的方法其他一些哲学家也在使用,这种方法,以概念分析为特点。
But in the case of film studies, that was also a taboo subject until recently.
不过电影研究,一直以来也无人问津,电影研究的热潮也就是最近几十年的事情。
But what I really have to teach is not going to be based on what you might read in textbook or a great work of technical film studies, you gonna write paper about that, but what to do to get most of the meanings you have to read these books.
但我真正想教授的,并不基于你们可能在教材读到的东西,也不基于很多技术性的电影研究,你们将对此写论文,但是你们必须读这些书,才能更好的理解书中的内容。
Yeah, I like to look at films in different ways, because you can look at one film and explore it like the music. For example, in Film Music we looked at Psycho which I see on the syllabus, and we talked about the music in that film.
是的,我喜欢从不同的角度研究电影,因为你可以看一部电影,从音乐的角度研究它,例如,我看到教学大纲上有《精神病患者》,在电影音乐课上我们看了这部电影,并讨论了电影中的配乐。
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