For joy, apparently, it was all Franny could do to hold the phone even with both hands. For a foolish half minute or so there was no other words, no further speech, then "I can't talk anymore, buddy."
为了欢愉,明显是弗兰尼拿着电话,或者用双手能做的,在大约半分钟里,没有其他的话了,也没有讲话了,然后说,我不能谈论任何人,巴蒂“
Milton's God doesn't, as we learn from Genesis, doesn't fashion the matter of chaos with his hands.
弥尔顿的上帝不是像《创世纪》中所写的那样,用双手从混沌中创造物质。
And Piaget's claim was one reason why they're surprised at peek-a-boo is you go-- you look at a kid, the kid's smiling and go, "Oh, peek-a-boo," and you close--and you cover your face and the kid says, "He's gone."
皮亚杰认为,他们对捉迷藏感到惊奇的一个原因便是,你凭空消失了,你看着婴儿,婴儿会对你笑,然后你和他玩捉迷藏,"躲猫猫",你用双手遮住了你的脸,婴儿会以为,"他不见了"
So naturally he looks out the window to see how the time is going and this is what he says: Come, seeling Night,Skarfe up the tender Eye of pitiful DayAnd with thy bloodie and invisible HandCancel and teare to pieces that great BondThat keeps me pale!
所以自然地他看向窗外的天色,他说道:,快来吧,黑夜,遮住白天的眼睛,…,用你无形的沾满鲜血的双手,将束缚我们的身体撕成碎片!
On the one hand it's clearly good that humans rise above the animals and build cities and wear clothes and pursue the arts of civilization and develop bonds of love and duty and friendship the way that animals do not; these are the things that make humans like the gods in The Epic of Gilgamesh.
一方面,成为人类也未尝不是一件好事,人类优于动物,穿着衣服,用自己的双手建造城市,打造文明的生活方式,而爱和责任,把人类联结起来,这些是动物无法比拟的,在《吉尔伽美什史诗》中,这些特质让人类具有神性。
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